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A letter-writing campaign goes awry when a law is passed that only allows people to walk the streets at night, if they maintain a squatting position at all times... A town is overrun with cockroaches; despite the government’s official expressions of concern, the only person doing anything about it is branded an agitator... A widower is forced to move into the city to live with his son, bringing his cat and his strange country ways with him... Diao Dou’s short stories perform a kind of high-wire literary acrobatics; each one executes an immaculate mid-air transition, from closely observed social realism to surrealist parody, and back again. Covering all aspects of modern Chinese life – ...
**Selected as one of the Financial Times Best Books of 2012** 'Shi Cheng is a sort of mind map of both modern China, and also of what it’s like to be human.' - Asian Books Blog To the West, China may appear an unstoppable economic unity, a single high-performing whole, but for the inhabitants of this vast, complex and contradictory nation, it is the cities that hold the secret to such economic success. From the affluent, Westernised Hong Kong to the ice-cold Harbin in the north, from the Islamic quarters of Xi’an to the manufacturing powerhouse of Guangzhou - China’s cities thrum with promise and aspiration, playing host to the myriad hopes, frustrations and tensions that define China ...
To Westerners China has often seemed a monolith, speaking with one voice—whether that of an ancient dynasty, a socialist state, or an economic powerhouse. Chutzpah! New Voices from China shatters this illusion, giving Western readers a rare chance to listen to the brilliant polyphony of Chinese fiction today. Here, in the realms of realism and fantasy, and portraying worlds lyrical, gritty, or wildly avant-garde, sixteen selections—three of which are nonfiction—by up-and-coming Chinese writers take readers from the suburbs of Nanjing to the mountains of Xinjiang Province, from London’s Chinatown to a universe seemingly sprung from a video game. In these stories one may encounter a sw...
"By examining how narrative strategies reinforce or contest deterministic paradigms, this work describes modern Chinese fiction’s unique contribution to ethical and literary debates over the possibility for meaningful moral action. How does Chinese fiction express the desire for freedom as well as fears of attendant responsibilities and abuses? How does it depict struggles for and against freedom? How do the texts allow for or deny the possibility of freedom and agency? By analyzing discourses of agency and fatalism and the ethical import of narrative structures, the author explores how representations of determinism and moral responsibility changed over the twentieth century. She links th...
Denounced as parasitical under Chairman Mao and devalued by the norms of traditional Chinese ethics, the city now functions as a site of individual and collective identity in China. Cities envelop the countryside, not only geographically and demographically but also in terms of cultural impact. Robin Visser illuminates the cultural dynamics of three decades of radical urban development in China. Interpreting fiction, cinema, visual art, architecture, and urban design, she analyzes how the aesthetics of the urban environment have shaped the emotions and behavior of people and cultures, and how individual and collective images of and practices in the city have produced urban aesthetics. By rel...
This book is a significant gathering of ideas on the subject of modern Chinese literature and culture of the past several years. The essays represent a wide spectrum of new approaches and new areas of subject matter that are changing the landscape of knowledge of modern and contemporary Chinese culture: women's literature, theatre (performance), film, graphic arts, popular literature, as well as literature of the Chinese diaspora. These phenomena and the approaches to them manifest interconnected trajectories for new scholarship in the field: the rewriting of literary history, the emergence of visual culture, and the quotidian apocalypse - the displacement of revolutionary romanticism and realism as central paradigms for cultural expression by the perspective of private, everyday experience.
First Published in 1999. This book is divided into two parts. The first part is essentially a response to a minimalist question: how perfect is language? There are so many factors involved in hiding the true nature of a language from casual observers. On the other hand, it is a lot easier to put a few languages side by side and show that the apparent imperfection actually comes from the diversity of their lexicons. By comparing wh-construals in Chinese, Japanese, English and Hindi, it becomes clear that these languages follow an optimal design of operator-variable dependencies as best as they could. As best as their individual morphologies allow, for that matter. The second part of this book addresses the issue how syntax interacts with semantics in a minimalist way.
Language is a symbolic system of meanings evoked by linguistic forms. The choice of forms in communication is non-arbitrary. Rather, speakers pick those forms whose meanings best convey their discourse intention. The meaning of the Mandarin ba-construction, argues Jing-Schmidt, is discourse dramaticity, a concept that includes high conceptual salience and subjectivity. The ba-construction and its "syntactic variations" are never interchangeable because contrast in their meanings determines difference in their functions. Quantitative analyses based on authentic data validate the postulation of discourse dramaticity. By taking discourse pragmatics seriously, the dramaticity hypothesis enables a unitary explanation that transcends sentence grammar. The diachronic treatment reveals the syntactic change of the ba-construction as an adaptive process of pragmatization, which raises the issue of linguistic evolution as a result of socio-cultural development. This book will be of particular value to readers interested in the interaction between grammar and pragmatics and to teachers confronting the controversy of the ba-construction in foreign language pedagogy.
This book constitutes the thoroughly refereed post-workshop proceedings of the 19th Chinese Lexical Semantics Workshop, CLSW 2018, held in Chiayi, Taiwan, in May 2018. The 50 full papers and 19 short papers included in this volume were carefully reviewed and selected from 150 submissions. They are organized in the following topical sections: Lexical Semantics; Applications of Natural Language Processing; Lexical Resources; Corpus Linguistics.
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