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Death and Purgatory in Middle English Didactic Poetry
The concept of Purgatory in Middle English didactic writings is explored through examination of visions of the afterlife, sermons, homiletic treatises, and lyrics.
The Didactic Muse
Writing with the vigor and elan that readers have come to expect from his many astute reviews and essays, Willard Spiegelman maintains that contemporary American poets have returned to the poetic aims of an earlier era: to edify, as well as to delight, and thus to serve the "didactic muse." What Spiegelman says about individual poets--such as Nemerov, Hecht, Ginsberg, Pinsky, Ammons, Rich, and Merrill, among others--is wonderfully insightful. Furthermore, his outlook on their work--the way he takes quite literally the teacherly elements of their poems--challenges long-standing conceptions both about contemporary writing and about the poetry of the Eliot-Pound-Stevens-Williams generation. Beg...
Didactic Novels and British Women's Writing, 1790-1820
Tracing the rise of conduct literature and the didactic novel over the course of the eighteenth century, this book explores how British women used the didactic novel genre to engage in political debate during and immediately after the French Revolution and the Napoleonic Wars. Although didactic novels were frequently conventional in structure, they provided a venue for women to uphold, to undermine, to interrogate, but most importantly, to write about acceptable social codes and values. The essays discuss the multifaceted ways in which didacticism and women’s writing were connected and demonstrate the reforming potential of this feminine and ostensibly constricting genre. Focusing on works...
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The Fables of Ulrich Bonerius (ca. 1350)
Serendipitously, at around the same time as Boccaccio published his famous Decameron (1350), the Swiss-German Dominican Ulrich Bonerius published his highly popular collection of fables, The Gemstone. Both authors pursued very similar goals, instructing their audiences about vices and virtues, Boccaccio by telling entertaining, often erotic tales, Bonerius by relating didactic tales, mostly based on animals as the active characters. This book provides the first English translation of all one hundred fables authored by Bonerius. Bonerius drew mostly from the classical Aesopian tradition, and his Gemstone in turn became the crucial source for vast fable collections in the late Middle Ages, and again in the eighteenth and nineteenth centuries. In fact, the famous Grimm brothers included some of his narratives in their fairy tale collection of The Gemstone 1812. Not only was Bonerius an excellent poet, he also understood the depth of human nature exceedingly well, warning about many of people’s shortcomings and failures.
Ophie's Ghosts
Ophelia Harrison and her family used to live in a small house in the Georgia countryside. But that was before the night in November 1922 and the cruel act that took her home and her father from her. Which just happened to be the same night that Ophie
Greek Literature in Late Antiquity
Late Antiquity has attracted a significant amount of attention in recent years. As a historical period it has thus far been defined by the transformation of Roman institutions, the emergence of distinct religious cultures (Jewish, Christian, Islamic), and the transmission of ancient knowledge to medieval and early modern Europe. Despite all this, the study of late antique literary culture is still in its infancy, especially for the Greek and other eastern texts examined in this volume. The contributions here presented make new inroads into a rich literature notable above all for its flexibility and unparalleled creativity in combining multiple languages and literary traditions. The authors a...
The Criticism of Didactic Poetry
Dalzell presents three of the major didactic poems in the classical canon: the De rerum natura of Lucretius, the Georgics of Virgil, and the Ars amatoria of Ovid, considering what tools are available for their understanding.
