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Mihrî Hatun
The early modern Ottoman poet Mihrî Hatun (1460–1515) succeeded in drawing an admiring audience and considerable renown during a time when few women were accepted into the male-dominated intellectual circles. Her poetry collection is among the earliest bodies of women’s writing in the Middle East and Islamicate literature, providing an exceptional vantage point on intellectual history. With this volume, Havlioglu not only gives readers access to this rare text but also investigates the factors that allowed Mihri to survive and thrive despite her clear departure from the cultural norms of the time. Placing the poet in the context of her era and environment, Havlioglu finds that the poet’s dramatic, masterful performance and subversiveness are the very reasons for her endurance and acclaim in intellectual history. Mihri Hatun performed in a way that embraced her marginal position as a woman and leveraged it to her advantage. Havlioglu’s astute and nuanced portrait gives readers a fascinating glimpse into the life of a woman poet in a highly gendered society and suggests that women have been part of intellectual history long before the modern period.
Life after the Harem
The first study exploring the lives of female slaves of the Ottoman imperial court, drawing from hitherto unexplored primary sources
Laughter, Humor, and the (Un)making of Gender
Humor is the tendency of particular cognitive experiences to provoke laughter and provide amusement. Throughout history, it has played a crucial role in defining gender roles and identities. This collection offers an in-depth thematic examination of this relationship between humor and gender, spanning a variety of historical and cultural backdrops.
The Cambridge World History of Sexualities: Volume 3, Sites of Knowledge and Practice
Volume III provides in-depth analyses of specific times and places in the history of world sexualities, to investigate more closely the lived experience of individuals and groups to reveal the diversity of human sexualities. Comprising twenty-five chapters, this volume covers ancient Athens, Rome, and Constantinople; eighth- and ninth-century Chang'an, ninth- and tenth-century Baghdad, and tenth- through twelfth-century Kyoto; fourteenth- and fifteenth-century Iceland and Florence; sixteenth-century Tenochtitlan, Istanbul, and Geneva; eighteenth-century Edo, Paris, and Philadelphia; nineteenth-century Cairo, London, and Manila; late nineteenth- and early twentieth-century Lagos, Bombay, Buenos Aires, and Berlin, and twentieth-century Sydney, Toronto, Shanghai, and Rio de Janeiro. Broad in range, this volume sheds light on continuities and changes in world sexualities across time and space.
The Oxford Handbook of Islam and Women
""Islam and Women" is a very broad topic and as complex as the lives of women that it encompasses in a broad swath of the world. In its wide-ranging coverage of issues subsumed under this umbrella topic, this volume is purposefully multi-disciplinary. The chapters are authoritative contributions from well-known scholars who are at the cutting-edge of scholarship on inter alia Qur'anic hermeneutics and hadith studies, women's legal and social rights, women's scholarly, cultural, economic, and political activities in the pre-modern and modern Islamic societies, the rise of Islamic feminism and women's activism and movements in a number of contemporary Muslim-majority countries and regions, inc...
The Late Byzantine Romance in Context
This book investigates issues of identity and narrativity in late Byzantine romances in a Mediterranean context, covering the chronological span from the capture of Constantinople by the Crusaders in 1204 to the 16th century. It includes chapters not only on romances that were written and read in the broader Byzantine world but also on literary texts from regions around the Mediterranean Sea. The volume offers new insights and covers a variety of interrelated subjects concerning the narrative representations of self-identities, gender, and communities, the perception of political and cultural otherness, and the interaction of space and time with identity formation. The chapters focus on texts from the Byzantine, western European, and Ottoman worlds, thus promoting a cross-cultural approach that highlights the role of the Mediterranean as a shared environment that facilitated communications, cultural interaction, and the trading and reconfiguration of identities. The volume will appeal to a wide audience of researchers and students alike, specializing in or simply interested in cultural studies, Byzantine, western medieval, and Ottoman history and literature.
Ottoman Canon and the Construction of Arabic and Turkish Literatures
The Ottoman Canon and the Construction of Arabic and Turkish Literatures fleshes out the Ottoman canon's multilingual character to call for a literary history that can reassess and even move beyond categories that many critics take for granted, such as 'classical Arabic literature' and 'Ottoman literature'. It gives a historically contextualised close reading of works from authors who have been studied as pionneers of Arabic and Turkish literatures, such as Ziya Pasha, Jurji Zaydan, Ma?ruf al-Rusafi and Ahmet Hamdi Tanpinar. The Ottoman Canon analyses how these authors prepared the arguments and concepts that shape how we study Arabic and Turkish literatures today as they reassessed the relationship among the Ottoman canon's linguistic traditions. Furthermore, The Ottoman Canon examines the Ottoman reception of pre-Ottoman poets, such as Kab ibn Zuhayr, hence opening up new research avenues for Arabic literature, Ottoman studies and comparative literature.
Approaches to Teaching the Works of Orhan Pamuk
Winner of the Nobel Prize in Literature in 2006, Orhan Pamuk is Turkey's preeminent novelist and an internationally recognized figure of letters. Influenced by both Turkish and European literature, his works interrogate problems of modernity and of East and West in the Turkish context and incorporate the Ottoman legacy linguistically and thematically. The stylistic and thematic aspects of his novels, his intriguing use of intertextual elements, and his characters' metatextual commentaries make his work rewarding in courses on world literature and on the postmodern novel. Pamuk's nonfiction writings extend his themes of memory, loss, personal and political histories, and the craft of the novel. Part 1, "Materials," provides biographical background and introduces instructors to translations and critical scholarship that will elucidate Pamuk's works. In part 2, "Approaches," essays cover topics that support teachers in a range of classrooms, including Pamuk's use of the Turkish language, the political background to Pamuk's novels, the politics of translation and aesthetics, and Pamuk's works as world literature.
The Ottomans
A richly illustrated guide to the Ottoman Empire, 100 years since its dissolution, unravelling its complex cultural legacy and profound impact on Europe, North Africa and the Middle East. At its height, the Ottoman Empire spread from Yemen to the gates of Vienna. Western perceptions of the Ottomans have often been distorted by Orientalism, characterizing their rule as oppressive and destructive, while seeing their culture as exotic and incomprehensible. Based on a lifetimes experience of living and working across its former provinces, Diana Darke offers a unique overview of the Ottoman Empires cultural legacy one century after its dissolution. She uncovers a vibrant, sophisticated civilizati...
The Age of Beloveds
The Age of Beloveds offers a rich introduction to early modern Ottoman culture through a study of its beautiful lyric love poetry. At the same time, it suggests provocative cross-cultural parallels in the sociology and spirituality of love in Europe—from Istanbul to London—during the long sixteenth century. Walter G. Andrews and Mehmet Kalpakli provide a generous sampling of translations of Ottoman poems, many of which have never appeared in English, along with informative and inspired close readings. The authors explain that the flourishing of Ottoman power and culture during the “Turkish Renaissance” manifested itself, to some degree, as an “age of beloveds,” in which young men...
