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Diego Rodriguez DeSilva Y Velasquez
A brief biography of the seventeenth-century Spanish painter accompanies fifteen color reproductions and critical interpretations of his works.
Diego Velazquez (1599-1660).
Carol Gerten-Jackson presents a biographical sketch of the Spanish painter Diego Rodriguez de Silva Velazquez (1599-1660). The painter is considered to have been Spain's greatest Baroque artist.
Velázquez
Diego Rodriguez de Silva y Velazquez (1599-1660) is widely recognized as both the supreme exponent of the Spanish Golden Age and as one of the greatest artists of all time. During his lifetime, he was admired not only at the cosmopolitan court of King Philip IV in Madrid, but also by the imperial court in Vienna and the papal court in Rome. Rediscovered in the 19th century, his work became an essential stimulus to the development of modern painting. Fernando Checa's monograph recasts the traditional critical reception of Velazquez as a Realist master, exploring other avenues of interpretation by examining his relationship with Classicism and with the most progressive trends in painting in his day. At the heart of the book is the color catalogue, which includes Velazquez's entire oeuvre with numerous details.
Velázquez. the Complete Works
For so many champions of art history, the ultimate sounding board was--and remains--Diego Rodríguez de Silva y Velázquez. First available as an XXL volume, this accessible edition presents his complete works in beautiful reproductions, including enlarged details and photography of recently restored paintings.
Velázquez Rediscovered
The interest generated by the conservation and rehanging of a Velazquez picture "Portrait of a Man", led the Metropolitan Museum to consider how it might hold an exhibition of Velaquez's oeuvre, to show how his work led to this particular picture being painted, and how it informed his future work.
The Ladies-in-Waiting
In 1656, Diego Velázquez, leading figure in the Spanish Golden Age of painting, created one of the most enigmatic works in the history of art: Las Meninas (The Ladies-in-Waiting). This graphic novel, written and drawn by two of Spain’s most sophisticated comics creators, examines its legacy as one of the first paintings to explore the relationship among the viewer, reality, and unreality. (It guest stars Cano, Salvador Dalí, Zurbarán, and many others.) Olivares’s art moves from clear line to expressionistic; from pen nib to brush stokes; from one color palette to another, as The Ladies-in-Waiting uses fiction to explore the ties among artists and patrons, the past and the present, institutions and audiences, creators and creativity. Their combined efforts have garnered not only international comics prizes, but the equivalent of the National Book Award in Spain, where the book has been a commercial and critical sensation.
Velasquez
Diego Rodríguez de Silva y Velázquez (June 1599 – August 6 1660), known as Diego Vélasquez, was a painter of the Spanish Golden Age who had considerable influence at the court of King Philip IV. Along with Francisco Goya and Le Greco, he is generally considered to be one of the greatest artists in Spanish history. His style, whilst remaining very personal, belongs firmly in the Baroque movement. Velázquez’s two visits to Italy, evidenced by documents from that time, had a strong effect on the manner in which his work evolved. Besides numerous paintings with historical and cultural value, Diego Vélasquez painted numerous portraits of the Spanish Royal Family, other major European figures, and even of commoners. His artistic talent, according to general opinion, reached its peak in 1656 with the completion of Las Meninas, his great masterpiece. In the first quarter of the 19th century, Velázquez's style was taken as a model by Realist and Impressionist painters, in particular by Édouard Manet. Since then, further contemporary artists such as Pablo Picasso and Salvador Dalí have paid homage to their famous compatriot by recreating several of his most famous works.
