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Berlin, 1923. A defeated capital of a devastated nation. A city roiling with revolution and economic unrest. And stalked by a savage murderer. Dubbed 'Alpine Joe" by the police, he is killing the lower-class denizens of the Wedding District-whores, pimps, the elderly, the homeless. Equally adept with a gun or a knife, Alpine Joe is terrorizing the city with his vicious one-man crime spree. The man selected to stop him is Inspector Ernst Lohmann, a dedicated and humane policeman still fighting his own demons from the memories of the trenches of the Great War. "The Berlin Murder Squad" is the story of these two men and the story of a new age in history, populated with new criminals, new ideologies-and new monsters.
First multi-year cumulation covers six years: 1965-70.
Provides insight into two of Homer's epic poems along with a short history of the man and his life.
Homeric Voices is a study, from a compositional point of view, of the substantial speeches and exchanges of speech that Homer depicts in his songs. Drawing on research in sociolinguistics, discourse analysis, and cognitive psychology, Elizabeth Minchin considers the words that Homer attributes to his characters from two perspectives, as cognitive and as social phenomena. She asks how the poet worked with memory to generate the speech forms that he represents; and how Homeric speech constructs and reveals the social hierarchies that are bound up with age, status, and gender - with particular interest in gender - in the world of the poems.
In this collection of his essays on Homer, some new and some appearing for the first time in English, the distinguished scholar Pietro Pucci examines the linguistic and rhetorical features of the poet's works. Arguing that there can be no purely historical interpretation, given that the parameters of interpretation are themselves historically determined, Pucci focuses instead on two features of Homer's rhetoric: repetition of expression (formulae) and its effects on meaning, and the issue of intertextuality.
The following analysis illustrates the underlying trends and relationships of U.S. issued patents of the subject company. The analysis employs two frequently used patent classification methods: US Patent Classification (UPC) and International Patent Classification (IPC). Aside from assisting patent examiners in determining the field of search for newly submitted patent applications, the two classification methods play a pivotal role in the characterization and analysis of technologies contained in collections of patent data. The analysis also includes the company’s most prolific inventors, top cited patents as well as foreign filings by technology area.
More than any other director, Werner Herzog is renowned for pushing the boundaries of conventional cinema, especially those between the fictional and the factual, the fantastic and the real. Drawing on over 35 films, this book explores his continuing search for what he has described as the 'ecstatic truth'
Over the course of his career, legendary director Werner Herzog (b. 1942) has made almost sixty films and given more than eight hundred interviews. This collection features the best of these, focusing on all the major films, from Signs of Life and Aguirre, the Wrath of God to Grizzly Man and Cave of Forgotten Dreams. When did Herzog decide to become a filmmaker? Who are his key influences? Where does he find his peculiar themes and characters? What role does music play in his films? How does he see himself in relation to the German past and in relation to film history? And how did he ever survive the wrath of Klaus Kinski? Herzog answers these and many other questions in twenty-five intervie...