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Ancient India, History and Archaeology
Not Withstanding The Remarkable Progress In The Realm Of Historical Enquiry In Our Country, Ancient India Still Remains A Mysterious Domain Where The Extant Source-Materials Have Proved To Be Inadequate And Dubious. This Explains Why So Many Topics Of Ancient Indian History And Culture Have Raged Unending Controversies Among The Historians. The Present Work Mostly Revolves Around A Few Such Controversial Issues, Which Have Been Objectively Studied Afresh In The Light Of The Available Data, Literary And Archaeological.The Book Comprises Eight Chapters: `The Imperial Mauryas: Some Problems , The Pala Kings Of Bengal And Bihar ,`Side-Lights Of The Religious Life Of Ancient Orissa , `The Satamana Metallic Currency , `Some Disquieting Features Of Indian Archaeology , `Different Categories Of The Brahmin Donees , `Historical Researches In West Bengal And `Professor Dines Chandra Sircar .
AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
Producing India
When did categories such as a national space and economy acquire self-evident meaning and a global reach? Why do nationalist movements demand a territorial fix between a particular space, economy, culture, and people? Producing India mounts a formidable challenge to the entrenched practice of methodological nationalism that has accorded an exaggerated privilege to the nation-state as a dominant unit of historical and political analysis. Manu Goswami locates the origins and contradictions of Indian nationalism in the convergence of the lived experience of colonial space, the expansive logic of capital, and interstate dynamics. Building on and critically extending subaltern and postcolonial perspectives, her study shows how nineteenth-century conceptions of India as a bounded national space and economy bequeathed an enduring tension between a universalistic political economy of nationhood and a nativist project that continues to haunt the present moment. Elegantly conceived and judiciously argued, Producing India will be invaluable to students of history, political economy, geography, and Asian studies.
A Journey Down Melody Lane
The Hindi film song has held millions spellbound for nearly eight decades. In this unputdownable ‘labour of love’, India’s leading film song historian, Raju Bharatan, delves deep into his treasure trove to tell us how singing is all about romancing, how composing is all about feelings, how the twain, stardom and songdom, do meet to make the vintage film number a part of the nation’s psyche. He reconstructs song happenings over the last sixty years or so to condense the emotion and passion going into legendary star hook-ups, showing us how with the pairing comes the vibe, with the vibe comes the tune, and with the tune unfolds cinema that is a ‘Madhuballad’ all the way. This volum...
Forestry for the People
In Indian context.
Katha Prize Stories
A Search For Excellence Has Brought To Readers Some Of The Best Stories Being Written In Indian Languages. To Celebrate The Crop Of The 90S, Katha Invited Five Giants Of Indian Cinema To Choose The Best For Us From 150 Award-Winning Stories From 15 Languages. The Best Of The Best Are Represented Here.
