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Published to accompany the exhibition held at the Philadelphia Museum of Art, 28 September 2003 - 4 January 2004, and the Musee de la Mode et du Textile, Paris, March - August 2004.
Nearly four hundred textiles from East and West are reproduced in full color in this handbook of the Philadelphia Museum of Art's encyclopedic collections, which cover a broad range of geographic areas, periods, and techniques. Each chapter is introduced by a brief history of that particular aspect of the museum's collections, placing it within the context of textile scholarship and collecting in the United States and Europe.
Published on the occasion of an exhibition held at the Philadelphia Museum of Art, Mar. 16-June 5, 2011.
Published to accompany exhibition Best dressed; 250 years of style, held at Philadelphia Museum of Art, Philadelphia, 24/10/97 - 4/1/98.
"I want my clothes to make you smile!"--Patrick Kelly Patrick Kelly (1954-1990) was known for his bold, bright, and joyful fashion creations that resonated in the streets and nightclubs and on the runways of New York, Paris, and beyond. The first American and the first Black designer to be admitted to the governing body of the French fashion industry, Kelly boasted celebrity couture clients including Madonna, Cicely Tyson, and Gloria Steinem. His designs are distinguished by a combination of playful aesthetics and a willingness to brazenly foreground race and heritage and push cultural boundaries, including racial tropes like golliwogs, or Black baby dolls. Generously illustrated with hundre...
"This is the first publication to consider art to wear, also known as wearable art, as a discrete American movement with roots and intersections in fine arts, fiber arts, craft, performance, and fashion. It looks in depth at the generation of artists who came of age in the late 1960s and 1970s and trained primarily as painters and sculptors but broke well-established boundaries in their use of nontraditional forms, materials, and techniques to create one-of-a-kind works using the body as an armature. --
In 2002, Gee’s Bend burst into international prominence through the success of Tinwood’s Quilts of Gee’s Bend exhibition and book, which revealed an important and previously invisible art tradition from the African American South. Critics and popular audiences alike marveled at these quilts that combined the best of contemporary design with a deeply rooted ethnic heritage and compelling human stories about the women. Gee's Bend: The Architecture of the Quilt is a major book and museum exhibition that will premiere at the Museum of Fine Arts, Houston (MFAH), in June 2006 before traveling to seven American museums through 2008. The book's 330 color illustrations and insightful text bring home the exciting experience to readers while displaying all the cultural heritage and craftsmanship that have gone into these remarkable quilts.
A little-known and rediscovered illuminated manuscript from the Renaissance is the focal point of this enthralling exploration of Umbrian painting, the role of the Franciscan order, and the artists Bartolomeo and Giacepo Caporali. The Caporali Missal, a sumptuous and important Renaissance missal--or service book for the priest at the altar--was illuminated by the Caporali brothers for the Franciscan community in the hillside town of Montone, near Perugia, in 1469. This exhibition catalog celebrates this important manuscript, recently acquired by the Cleveland Museum of Art, with exquisite reproductions that bring the illuminated pages to life. Additional works by the Caporali brothers and re...
Through a series of case studies from the mid-eighteenth century to the start of the twenty-first, this collection of essays considers the historical insights that ethno/auto/biographical investigations into the lives of individuals, groups and interiors can offer design and architectural historians. Established scholars and emerging researchers shed light on the methodological issues that arise from the use of these sources to explore the history of the interior as a site in which everyday life is experienced and performed, and the ways in which contemporary architects and interior designers draw on personal and collective histories in their practice. Historians and theorists working within...
In Fashion, Media, Promotion: the new black magicFashion is linked to its communication networks - involving thereader in the process of selling Fashion in the global marketplace.Fashion's ingenuity in adapting to new means of promotion fordigital and print media, websites, advertising, cinema, music andtelevision, is celebrated. Hollywood's role in shaping Fashion's influence is assessedthrough Audrey Hepburn's persuasive iconography and the impact ofthe most watched movie of the 20th century: Gone with theWind. Exceptional designers Coco Chanel, Christian Dior, ReiKawakubo, Mary Quant, Elsa Schiaparelli, Vivienne Westwood areconsidered, together with extraordinary innovators Paul Smith,Vidal Sassoon, Lynne Franks. Roland Barthes' Fashion System andMythologies are viewed as cultural and promotional texts,with revealing insights into the technologies which bring Fashionto mass audiences. Marketing and branding successes are reviewed and Fashion'scontinuing narrative is illustrated with luminous colourimages.