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Z213 : Exit
Z213: EXIT marks the beginning of Dimitris Lyacos' poetic trilogy Poena Damni. Written over the course of seventeen years, in reverse order, the present publication sees the trilogy's completion. The last episode, The First Death, was the first to appear in 1996, followed by the second, Nyctivoe, in 2001. The Poena Damni trilogy both straddles and crosses perceived boundaries of literary form - from the journal-like prose in Z213: EXIT, to the elliptical monologues of the distinctly dramatic Nyctivoe, to the pared down poetic idiom in The First Death. Z213: EXIT provides the main axis for the narrative: from its description of the protagonist's escape to a barren and distorted - but nonetheless real - world will emerge the grotesque ritual of redemption, enacted by the proles of Nyctivoe and, finally, the struggle of the mutilated hero on the island in The First Death.
Poena Damni, the First Death
This is an English translation of the third part of Athenian poet Dimitris Lyacos's poetry trilogy Poena Damni, originally published in Greece in 1996. The volume also contains six masks by the Austrian artist Friedrich Unegg.
Poena Damni
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On the First Death
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Postdramatic Theatre
Newly adapted for the Anglophone reader, this is an excellent translation of Hans-Thies Lehmann’s groundbreaking study of the new theatre forms that have developed since the late 1960s, which has become a key reference point in international discussions of contemporary theatre. In looking at the developments since the late 1960s, Lehmann considers them in relation to dramatic theory and theatre history, as an inventive response to the emergence of new technologies, and as an historical shift from a text-based culture to a new media age of image and sound. Engaging with theoreticians of 'drama' from Aristotle and Brecht, to Barthes and Schechner, the book analyzes the work of recent experimental theatre practitioners such as Robert Wilson, Tadeusz Kantor, Heiner Müller, the Wooster Group, Needcompany and Societas Raffaello Sanzio. Illustrated by a wealth of practical examples, and with an introduction by Karen Jürs-Munby providing useful theoretical and artistic contexts for the book, Postdramatic Theatre is an historical survey expertly combined with a unique theoretical approach which guides the reader through this new theatre landscape.
Safe as Houses
The titular story revolves around an aging English professor who, mourning the loss of his wife, robs other people's homes of their sentimental knick-knacks. In "Free Ham," a young dropout wins a ham after her house burns down and refuses to accept it. "Has my ham done anything wrong?" she asks when the grocery store manager demands that she claim it. In "Carry Me Home, Sisters of Saint Joseph," a failed commercial writer moves into the basement of a convent and inadvertently discovers the secrets of the Sisters of Saint Joseph. A girl, hoping to talk her brother out of enlisting in the army, brings Bob Dylan home for Thanksgiving dinner in the quiet, dreamy "North Of." In "The Idea of Marcel," Emily, a conservative, elegant girl, has dinner with the idea of her ex-boyfriend, Marcel. In a night filled with baffling coincidences, including Marcel having dinner with his idea of Emily, she wonders why we tend to be more in love with ideas than with reality. In and out of the rooms of these gritty, whimsical stories roam troubled, funny people struggling to reconcile their circumstances to some kind of American Ideal and failing, over and over.
Two Lessons on Animal and Man
Simondon is a secret password among certain discussions within philosophy today. As a philosopher of technology, Simondon’s work has a place at the forefront of current thinking in media, technology, psychology, and philosophy with complex accounts of man’s relationship to technology and the realm that continues to form itself via this tension between man and his technical universe. In this introduction to Simondon’s oeuvre, the reader has access to the grounding of one of the most fundamental and critical questions that has been the focus of philosophy for millennia: the relationship between man and animal.
The Heart of Man
After coming through the blizzard that almost cost them everything, Jens and the boy are far from home, in a fishing community at the edge of the world. Taken in by the village doctor, the boy once again has the sense of being brought back from the grave. But this is a strange place, with otherworldly inhabitants, including flame-haired Álfheiður, who makes him wonder whether it is possible to love two women at once; he had believed his heart was lost to Ragnheiður, the daughter of the wealthy merchant in the village to which he must now inexorably return. Set in the awe-inspiring wilderness of the extreme north, The Heart of Man is a profound exploration of life, love and desire, written with a sublime simplicity. In this conclusion to an audacious trilogy, Stefánsson brings a poet's eye and a philosopher's insight to a tale worthy of the sagasmiths of old.
The Little Clan
"Ava Gallanter is the librarian in residence at the Lazarus Club, an ancient, dwindling Manhattan arts club full of eccentric geriatric residents stuck in a long-gone era. Twenty-five-year-old Ava, however, feels right at home. She leads a quiet life, surrounded by her beloved books and sequestered away from her peers. When Ava's enigmatic friend Stephanie returns after an unplanned year abroad, the intoxicating opportunist vows to rescue Ava from a life of obscurity. Stephanie, on the hunt for fame and fortune, promises to make Ava's dream of becoming a writer come true, and together they start a Victorian-inspired literary salon at the Lazarus Club. However, Ava's romanticized idea of the salon quickly erodes as Stephanie's ambitions take the women in an unexpected--and precarious--direction. In this humorous yet keenly observant coming-of-age story, Cohen brings us into a boisterous literary world bathed in hubris and ambition. With eloquent prose and affecting storytelling, The Little Clan is both a wickedly fun yet sharply insightful look at friendship, feminism and finding yourself in your twenties"--Jacket.
About Trees
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
