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Reconstructing Hybridity
This interdisciplinary collection of critical articles seeks to reassess the concept of hybridity and its relevance to post-colonial theory and literature. The challenging articles written by internationally acclaimed scholars discuss the usefulness of the term in relation to such questions as citizenship, whiteness studies and transnational identity politics. In addition to developing theories of hybridity, the articles in this volume deal with the role of hybridity in a variety of literary and cultural phenomena in geographical settings ranging from the Pacific to native North America. The collection pays particular attention to questions of hybridity, migrancy and diaspora.
Breaking the Bounds
Breaking the Bounds focuses on second-wave feminism as a rupture in an unbroken episteme of Western patriarchy analyzed with regard to British dramatic discourse. The theoretical framework is a genealogy of patriarchy deploying and developing Foucault's ideas on discourse to apply to a deconstruction of Western patriarchy. An analysis of feminist drama texts is used to support the argument that Western patriarchy consists of one unbroken episteme as the patriarchal impulse substrates the epistemological breaks indicated by Foucault. The theoretical text speaks of the twentieth-century feminist rupture from patriarchy, analyzing in detail the texts of five mainstream feminist dramatists who have successfully effected an intervention in the British grand récit of undeniably male dramatic discourse.
Popular Postcolonialisms
Drawing together the insights of postcolonial scholarship and cultural studies, Popular Postcolonialisms questions the place of ‘the popular’ in the postcolonial paradigm. Multidisciplinary in focus, this collection explores the extent to which popular forms are infused with colonial logics, and whether they can be employed by those advocating for change. It considers a range of fiction, film, and non-hegemonic cultural forms, engaging with topics such as environmental change, language activism, and cultural imperialism alongside analysis of figures like Tarzan and Frankenstein. Building on the work of cultural theorists, it asks whether the popular is actually where elite conceptions of...
The Trauma of Colonial Condition: in Nervous Conditions and Kiss of the Fur Queen
This study depicts the traumatic condition of the formerly colonised indigenous people of Africa and Canada. The postcolonial trauma novels Tomson Highway’s Kiss of the Fur Queen (1998) and Tsitsi Dangarembga’s Nervous Conditions (1988) are first-hand accounts of colonial experience under the governance of the British Empire of the second half of the twentieth century. The semi-autobiographical novels bring up the voices of the formerly silenced natives and are pioneering accounts of the native perception of Western intrusion. The narratives portray the upsetting experiences of the era of colonisation and explore the insidious consequences of living in the midst of historical change. The...
Black Women Centre Stage
This book examines the political alliances that are built across the diaspora in contemporary plays written by Black women playwrights in the UK. Through the concept of creative diasporic solidarity, it offers an innovative theoretical approach to examine the ways in which the playwrights respond creatively to the violence and marginalisation of Black communities, especially Black women. This study demonstrates that theatre can act as a productive space for the ethical encounter with the Other (understood in terms of alterity, as someone different from the self) by examining the possibilities of these plays to activate the spectators’ responsibility and solidarity towards different types o...
Documenting Gay Men
This book charts an evolution in gay identity within American reality television and documentary film. Through focusing on the performative potential of gay men, it examines the emergence of the independent gay citizen as a bold new voice rejecting subjugation within the media. Through examining productions as diverse as An American Family, Tongues United, Silverlake Life, The Real World, Paternal Instinct, Trembling Before G-D, Queer Eye for the Straight Guy, and many others, this book explores how gay people as teens, devoted couples, parents, inspiring individuals and influential producers have contributed to the progression of gay identity in domestic arenas. These portrayals are played out while discussing AIDS, race, religion, the development of same-sex family forms, the issues of procreation and gay marriage and the changing views of gay men as both creative producers and responsible social agents. In these forms of entertainment, gay social actors as political agents challenge dominant ideas, and invent new social worlds.
Black British Drama
Black British Drama: A Transnational Story looks afresh at the ways black theatre in Britain is connected to and informed by the spaces of Africa, the Caribbean and the USA. Michael Pearce offers an exciting new approach to reading modern and contemporary black British drama, examining plays by a range of writers including Michael Abbensetts, Mustapha Matura, Caryl Phillips, Winsome Pinnock, Kwame Kwei-Armah, debbie tucker green, Roy Williams and Bola Agbaje. Chapters combine historical documentation and discussion with close analysis to provide an in-depth, absorbing account of post-war black British drama situated within global and transnational circuits. A significant contribution to black British and black diaspora theatre studies, Black British Drama is a must-read for scholars and students in this evolving field.
Who's Who in Research: Performing Arts
Increasingly, academic communities transcend national boundaries. “Collaboration between researchers across space is clearly increasing, as well as being increasingly sought after,” noted the online magazine Inside Higher Ed in a recent article about research in the social sciences and humanities. Even for those scholars who don’t work directly with international colleagues, staying up-to-date and relevant requires keeping up with international currents of thought in one’s field. But when one’s colleagues span the globe, it’s not always easy to keep track of who’s who—or what kind of research they’re conducting. That’s where Intellect’s new series comes in. A set of wor...
The Cambridge Companion to British Theatre since 1945
British theatre underwent a vast transformation and expansion in the decades after World War II. This Companion explores the historical, political, and social contexts and conditions that not only allowed it to expand but, crucially, shaped it. Resisting a critical tendency to focus on plays alone, the collection expands understanding of British theatre by illuminating contexts such as funding, unionisation, devolution, immigration, and changes to legislation. Divided into four parts, it guides readers through changing attitudes to theatre-making (acting, directing, writing), theatre sectors (West End, subsidised, Fringe), theatre communities (audiences, Black theatre, queer theatre), and theatre's relationship to the state (government, infrastructure, nationhood). Supplemented by a valuable Chronology and Guide to Further Reading, it presents up-to-date approaches informed by critical race theory, queer studies, audience studies, and archival research to demonstrate important new ways of conceptualising post-war British theatre's history, practices and potential futures.
Looking Through Gender
This contribution to Theatre Studies explores the shaping and performing of gender identity in British and Irish theatres since the 1980s. It highlights contact zones, conflict areas, and divergencies between the two theatre contexts with reference to historic, socio-political, and cultural clusters. Largely from a queer theory standpoint, this book reads several plays in their attempt to unmask exploiting mechanisms of sexuality and gender regulation. It focuses on alternative notions of sociality, shared spaces, and bodies, and offers political suggestions in order to resist confining notions of identity and gender.
