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Dinh Q Lê
Since 2004/5, the artist Dinh Q. Lê has collected watercolors and ink drawings of Vietcong artists from North and South Vietnam. In his notebook, in an interview with Carolyn Christov-Bakargiev, he describes the historical and autobiographical correlations of his intense passion for collecting these drawings. In 1978, at the age of ten, Lê fled his hometown, Hà Tiên, with his family from the Communist regime and the Khmer Rouge. In 1997, after two decades in the U.S., he returned to Vietnam and settled there. The drawings that make up his collection have a melancholic mood. They depict people in idealized landscapes, as if they were looking for normality and natural life in the years of war. These very personal sketches and their "politics of form" suggest another reality against "official" propaganda images; they reveal a collective condition of waiting, a uniting hope. Dinh Q. Lê (*1968) is an artist living and working in Ho Chi Minh City, Vietnam. Carolyn Christov-Bakargiev (*1957) is Artistic Director of dOCUMENTA (13). Language: English/German
Dinh Q Lê
A selection of drawings by Vietcong artists from Dinh Q. Lê's private collection, with an interview about the collection and the artists.
Dinh Q. Lê
Essay by Chris Miles. Interview by Mara Roth.
Dinh Q. Lê
This exhibition catalogue is published on the occasion of Vietnamese artist Dinh Q Lê's inaugural Australian exhibition at Sherman Contemporary Art Foundation featuring a newly commissioned multi-media installation and online archive-erasurearchive.net-that draws on recent debates in Australia concerning refugees and asylum seekers. Dinh Q. Lê is considered one of Vietnam's most significant contemporary artists. Born in Vietnam in 1968, Lê moved to Los Angeles with his family in 1979 after fighting erupted between the Vietnamese and the Khmer Rouge near their village at the Cambodian border. As a refugee himself, Lê was motivated to produce Erasure by the tragic sinking of an asylum seeker's boat off Christmas Island in December 2010. Layered and fragile memory is at the core of Lê's work. His practice challenges how our memories are recalled and how society archives the evidence of human suffering. Lê's work elucidates his commitment to the artistic process as a means of excavating history and the uncovering and revealing of alternate ideas of loss and redemption.
Dinh Q. Lê
"In Crossing the Farther Shore, Lê incorporates photographs taken in Vietnam during the 1940s-1980s, with the majority dating to the pre-Vietnam War era before 1975. The images are those that might fill a family's photo album: portraits, scenic vistas, birthdays, and holidays. Lê has collected pre-1975 Vietnam photographs for years, finding them in antique stores and second-hand shops and wondering, why are there so many abandoned photographs? Lê considers them to be an important record documenting the everyday lives of Southern Vietnamese people - how they dressed, looked, and felt. Such photos are one of the few records of South Vietnam that have escaped from the Northern Vietnamese com...
Dinh Q. Le
"STPI Gallery presents the first major solo exhibition in Singapore by Dinh Q. Le, one of Asia's most established artists to date. For the very first time, the multiple award-winning artist has developed breakthrough print works of unprecedented scale and technical distinction from 'Splendor and Darkness' - his sold-out photo-weaving series. 'Monuments and Memorials' marks the premiere of this pivotal series in Asia, also unveiling his first-ever three-dimensional weaving's which feature the recent refugee exodus from Africa and the Middle East into Southern Europe. In 'Splendor and Darkness', Le shredded photographs of Cambodian temples and iconic portraits of Khmer Rouge victims killed at ...
Dinh Q Lê
Seit 2004/05 sammelt der Künstler Dinh Q. Lê Aquarelle, Tinten- und Tuschezeichnungen von Vietcong-Künstlern aus Nord- und Südvietnam. In seinem Notizbuch beschreibt er im Interview mit Carolyn Christov-Bakargiev die historischen und autobiographischen Zusammenhänge seiner intensiven Sammelleidenschaft. Gemeinsam mit seiner Familie flüchtete er 1978, im Alter von 10 Jahren, vor der kommunistischen Regierung und der Roten Khmer aus seiner Heimatstadt Hà Tiên . Nach fast 20 Jahren in den USA kehrte Dinh Q. Lê 1997 dauerhaft nach Vietnam zurück. Die Zeichnungen, die er in seine Sammlung aufgenommen hat, haben einen melancholischen Charakter. Sie zeigen Menschen in einer idealisierten Landschaft, als ob sie im Krieg nach Alltäglichkeit und Naturverbundenheit suchten. Diese sehr persönlichen Skizzen und ihre Politik der Form setzen den »offiziellen« Bildern eine andere Realität entgegen, sie offenbaren eine Situation kollektiven Wartens, eine Sehnsucht, die die Menschen vereinte. Dinh Q. Lê (*1968) ist Künstler und lebt und arbeitet in Ho-Chi-Minh-Stadt, Vietnam. Carolyn Christov-Bakargiev (*1957) ist künstlerische Leiterin der dOCUMENTA (13). Sprache: Deutsch/Englisch
