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Desire and Domestic Fiction
Desire and Domestic Fictionargues that far from being removed from historical events, novels by writers from Richardson to Woolf were themselves agents of the rise of the middle class. Drawing on texts that range from 18th-century female conduct books and contract theory to modern psychoanalytic case histories and theories of reading, Armstrong shows that the emergence of a particular form of female subjectivity capable of reigning over the household paved the way for the establishment of institutions which today are accepted centers of political power. Neither passive subjects nor embattled rebels, the middle-class women who were authors and subjects of the major tradition of British fictio...
Screening Novel Women
From Hollywood classics like Jane Eyre or Wuthering Heights to the 1990s wave of Jane Austen films, adaptations of the British Nineteenth-century novel have been sensationally popular. This book examines how British and American filmmakers used the domestic novels of the past to construct stable gender ideals for the present.
Home in British Working-Class Fiction
Home in British Working-Class Fiction offers a fresh take on British working-class writing that turns away from a masculinist, work-based understanding of class in favour of home, gender, domestic labour and the family kitchen. Examining key works by Robert Tressell, Alan Sillitoe, D. H. Lawrence, Buchi Emecheta, Pat Barker, Jeanette Winterson and James Kelman, among many others, Nicola Wilson demonstrates the importance of home's role in the making and expression of class feeling and identity.
Yesterday's Woman: Domestic Realism in the English Novel
Encouraged by the response of the avid novel-reading public in early nineteenth-century England, minor novelists produced a staggering number of volumes that shaped styles, formed attitudes, and gave to the novel a new status and respectability. These novels were read by both sexes, but the majority were written by women. Vineta Colby examines the works of such minor novelists as Mrs. Gore, Maria Edgeworth, Charlotte Yonge, and Harriet Martincau, arguing that they prepared the way for the novels of the great Victorian era. Antiromantic and bourgeois in spirit, these domestic novels were concerned with daily living in ordinary society. As the form developed, the novels turned away from "idle ...
Lessons of Struggle
An in-depth analysis of thirty years of South African opposition; focuses on the development of the Black Consciousness movement; the ANC- aligned United Democratic Front, and the trade unions; discusses the role of ideas in shaping social change.
Domestic Modernism, the Interwar Novel, and E.H. Young
This book provides an analytical model for reading a large body of modernist works by women. The authors document the publication and reception history of E. H. Young's novels, make a significant contribution to the field of 'homeculture,' and show that the fictional embodiment of home in Young, Virginia Woolf, Elizabeth Bowen, Ivy Compton-Burnett, Lettice Cooper, E. M. Delafield, Stella Gibbons, Storm Jameson, and E. Arnot Robertson epitomizes the symbiosis between architecture and literature, or between the house and the novel.
Almost English
The extraordinary new novel from the Orange Prize shortlisted author of When We Were Bad Home is a foreign country: they do things differently there. In a tiny flat in West London, sixteen-year-old Marina lives with her emotionally delicate mother, Laura, and three ancient Hungarian relatives. Imprisoned by her family’s crushing expectations and their fierce unEnglish pride, by their strange traditions and stranger foods, she knows she must escape. But the place she runs to makes her feel even more of an outsider. At Combe Abbey, a traditional English public school for which her family have sacrificed everything, she realises she has made a terrible mistake. She is the awkward half-foreign...
Alice Gray
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Family Fictions
By revealing the investment of eighteenth-century British prose fiction in contemporary debates about domestic ideology, this book addresses the multiple ways in which traditional notions of the family were estranged, reconstituted as novel concepts, and then finally presented as national social norms. It focuses on works by Aphra Behn, Daniel Defoe, Samuel Richardson, Eliza Haywood, Horace Walpole, Laurence Sterne, and Mary Wollstonecraft, addressing a number of narratives that historians of the novel have overlooked while linking such better-known works as Robinson Crusoe and Pamela to their often neglected sequels. Challenging competing critical claims that the household either experience...
True Love
True Love: A Story of English Domestic Life (1891) is the first and only novel by Sarah E. Farro. Inspired by the works of Dickens and Thackeray, this novel models itself on the stories of romance and everyday life popular in Victorian England. When True Love: A Story of English Domestic Life appeared in print, Farro became the first black woman to publish a novel in the United States. Despite this distinction, her name and reputation would largely have faded into history if not for the effort of recent scholarship, which seeks to restore her status as a pioneering African American woman while contextualizing her work within the study of Victorian literature. Mrs. Brewster is an unhappy woma...
