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The Great Exodus from China
Dominic Meng-Hsuan Yang examines one of the least understood migrations in modern East Asia - the human exodus from China to Taiwan when Chiang Kai-shek's regime collapsed in 1949. Peeling back layers of Cold War ideological constructs, he tells a very different story from the conventional Chinese civil war historiography that focuses on debating the reasons for Communist success and Nationalist failure. Yang lays bare the traumatic aftermath of the Chinese Communist Revolution for the hundreds of thousands of ordinary people who were forcibly displaced from their homes across the sea. Underscoring the displaced population's trauma of living in exile and their poignant 'homecomings' four decades later, he presents a multi-event trajectory of repeated traumatization with recurring searches for home, belonging, and identity. This thought-provoking study challenges established notions of trauma, memory, diaspora, and reconciliation.
Reconsidering Roots
These essays--from scholars in history, sociology, film, and media studies--interrogate Roots, assessing the ways that the book and its dramatization recast representations of slavery, labor, and the black family; reflected on the promise of freedom and civil rights; and engaged discourses of race, gender, violence, and power.
Identity, Hybridity and Cultural Home
The Chinese have been one of the oldest and largest ethnic communities across the world with well over 35 million people living overseas. Despite their relatively large cultural distance from the host countries, and the ordeals faced by generations of Chinese immigrants due to stereotypes, prejudice, and racism, many have adjusted remarkably well economically and socially in their new country. But how do generations of Chinese immigrants reconcile seemingly incompatible demands from home and host cultures to negotiate bicultural or multicultural identities? Identity, Hybridity and Cultural Home explores the multifaceted concept of cultural identity to uncover the meaning of cultural home for Chinese immigrants in multicultural environments. It questions the conventional notion of a stable and secure cultural identity, challenges the common conception of bilingualism and biculturalism, analyses hybrid identities, and identifies directions for future research on the critical issue of searching for a cultural home in a multicultural society.
Spider Eaters
"Fifteen years after its first publication, Spider Eaters remains my go-to memoir about coming of age during the Mao years. Rae Yang's work is notable for its reflectiveness, complexity, psychological insight, and unflinching honesty. I commend this riveting work to a generation of readers for whom the cultural Revolution is now of 'merely' historical interest."—Gail Hershatter, University of California, Santa Cruz "By oscillating between scenes that are bland in their matter-of-fact concreteness and ones that are almost unbelievable in their nightmarish cruelty and complexity, Rae Yang skillfully evokes the bizarre and contradictory 'revolutionary' world in which she grew up in Mao's Chin...
Remembering China from Taiwan
When the Nationalists lost China in 1949, many of them left behind their families as they retreated to Taiwan. A half century later, through democratic elections, they lost control over Taiwan as well and began looking to a new and powerful China, where their relatives had grown rich, for a sense of identity and economic support, thus laying the groundwork for the growing integration between Taiwan and China. As exchanges across the Taiwan Strait increased, many separated families finally met after yearsof dreaming about each other in hope and in sorrow, through many eras and disast.
Is Taiwan Chinese?
Annotation Melissa Brown looks at the issue of Tiawan - specifically whether or not the Taiwanese are of Chinese/Han ethnicity (as is claimed by the Chinese government) - or is there in fact a Taiwanese ethnicity that is in fact unique unto itself (as the Taiwanese claim).
Anticipating Total War
The essays in Anticipating Total War explore the discourse on war in Germany and the United States between 1871 and 1914. The concept of "total war" provides the analytical focus. The essays reveal vigorous discussions of warfare in several forums among soldiers, statesmen, women's groups, and educators on both sides of the Atlantic. Predictions of long, cataclysmic wars were not uncommon in these discussions, while the involvement of German and American soldiers in colonial warfare suggested that future combat would not spare civilians. Despite these "anticipations of total war," virtually no one realized the practical implications in planning for war in the early twentieth century.
Citizens in Motion
Migration and citizenship -- Chinese re-migration -- Citizenship across the life course -- Multiple diasporas -- China at home and abroad -- Contemporaneous migration
Becoming Taiwanese
"What does it mean to be Taiwanese? This question sits at the heart of Taiwan’s modern history and its place in the world. In contrast to the prevailing scholarly focus on Taiwan after 1987, Becoming Taiwanese examines the important first era in the history of Taiwanese identity construction during the early twentieth century, in the place that served as the crucible for the formation of new identities: the northern port city of Jilong (Keelung). Part colonial urban social history, part exploration of the relationship between modern ethnicity and nationalism, Becoming Taiwanese offers new insights into ethnic identity formation. Evan Dawley examines how people from China’s southeastern c...
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
