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Security of Water Supply Systems: from Source to Tap
The reality of the post-September 11 situation forces the operators of water supply systems through the world to examine the security and safety of their systems, its vulnerability to intentional interference and sabotage with respect to quantity and quality of potable water. In assessing system vulnerability, there is an urgent need to develop emergency response plans providing ways and means for alternative water supply at the moment of system operation disruption, and system remediation and recovery after the attack. Security of Water Supply Systems: from Source to Tap presents the state-of-the art with a view to the future, conclusions from past experiences are highlighted and future developments are suggested in the field of drinking water safety.
Extreme Man-Made and Natural Hazards in Dynamics of Structures
This book provides a critical assessment of current knowledge and indicates new challenges which are brought about at present times by fighting man-made and natural hazards in transient analysis of structures. The latter concerns both permanently fixed structures, such as those built to protect people and/or sensitive storage material; or special structures, like bridges and tunnels; and moving structures such as trains, planes, ships or cars.
Engineering Computational Technology
Contains invited lectures presented at the Third International Conference on Engineering Computational Technology, held in Prague, Czech Republic, 4-6 September 2002. It includes contributions from: CG Armstrong, SN Atluri, AC Benim, P Bomme, D Bowman, RS Crouch, Y Dere, O Hassan, and more.
Aivazovsky
The seascapes of Ivan Aivazovsky (1817-1900) made his name in Russia, his native country where he was a painter of the court of Nicholas I, yet his fame barely extended beyond these borders. Master of the Sublime, he made the ocean the principal subject of his work. Sometimes wild and raging, sometimes calm and peaceful, the life of the ocean is composed of as many allegories as the human condition. Like Turner, whom he knew and whose art he admired, he never painted outside in nature, nor did he make preliminary sketches; his paintings were the fruit of his exceptional memory. With more than 6,000 canvasses, Aivazovsky was one of the most prolific painters of his time.
