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Ornament and Decoration in Islamic Architecture
Surface decoration has always played a fundamental role in Islamic architecture. As human representation is forbidden in Islamic religious monuments, designers employed mosaics, stucco, brickwork and ceramics, and the vigorous use of brilliant colour to reach unparalleled heights of expression. It is this ornamental dimension of Islamic architecture that is explored in this magnificent volume. Rather than limiting itself to an exclusively historical or chronological perspective, Ornament and Decoration in Islamic Architecture presents four successive approaches to its subject. The first part offers an overview of Islamic architecture, discussing the great diversity it contains. Dealing exclu...
Remarkable Angles
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Splendors of Islam
Since human representation is forbidden in Islamic religious monuments, design & ornamentation reach unparalleled heights in Islamic tiles, mosaics, stucco, brickwork, & ceramics, enhanced by brilliant color. The author is a distinguished scholar of Islamic art & a professor at the University of Toulouse.
Space and Muslim Urban Life
This book develops academic understanding of Muslim urban space by pursuing the structural logic of the premodern Arab-Muslim city, or medina. With particular reference to The Book of Walls, an historical discourse of Islamic law whose primary subject is the wall, the book determines the meaning of a wall and then uses it to analyze the space of Fez. One of a growing number of studies to address space as a category of critical analysis, the book makes the following contributions to scholarship. Methodologically, it breaks with the tradition of viewing Islamic architecture as a well-defined object observed by a specialist at an aesthetically directed distance; rather, it inhabits the logic of...
Dalgabio
Architecte-voyer de la ville de Saint-Etienne, Jean-Michel Dalgabio (1788-1852) entreprit en 1843, en compagnie d'A.-M. Chenavard et d'E. Rey, un voyage en Grèce et en Orient. Dans les 163 dessins qu'il consacre plus particulièrement à Athènes et Constantinople, il détaille avec minutie les monuments de l'une et les sortilèges de l'autre. Etudes et reproduction du recueil constitué en 1867.
Books on Turkey
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Imaging Humanity
Cultural Writing. A collection of papers presented at the IMAGING HUMANITY conference, held at the Pontifical Gregorian University in Rome, Italy on April 22 and 23, 1999. The interdisciplinary conference, conceived to examine the notions of humans as both creators and creatures of images, promoted interdisciplinary dialogue and probed the meaning of a liberal arts education at the graduate level. Over the course of the conference sessions, which explored the notion of image in textual, philosophical, and political contexts, participants from Germany, Italy, and the United States presented papers on topics ranging from modern art to medieval manuscripts, from contemporary politics to nineteenth-century aesthetic theory. At the center of each of these presentations was a fundamental concern with the nature and function of image. Editors include Jim Whelton and Anne Wingenter.
Art and Architecture of the World's Religions
Two abundantly illustrated volumes offer a vibrant discussion of how the divine is and has been represented in art and architecture the world over. Beginning with the ancient worlds of Mesopotamia, Egypt, Greece, and Rome and moving forward through time, Art and Architecture of the World's Religions explores the major faiths from countries and continents around the globe, helping readers better understand the creations their beliefs have inspired. After tracing the history and development of a religion, the book provides a general overview of its principal beliefs and key practices. It then offers specific examples of how works of art/architecture reflect that religion's values. The focus of...
Beauty and Islam
'Beauty and Islam' explores aspects of aesthetics in classical Islamic thought in the light of contemporary theories, offering new perspectives on Islamic art and architecture with examples ranging from the Qur'an and the Alhambra to the works of present day artists and philosophers. Tracing the roots of Islamic aesthetics back to the works of the great philosophers of the Middle Ages such as Avicenna and Averroes, Valerie Gonzalez finds that aesthetic theory in Islam must be seen within the much wider context of parallel thinking on theology, ethics, physics and metaphysics.
