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"Dieser Band ist das Ergebnis einer internationalen Tagung mit dem Titel 'Zwischen Kulturmanagement und Forschung: Sondersammlungen im 21. Jahrhundert' ..."; held Nov. 22-25, 2005, in Weimar--p. viii.
Continuing on to the electronic revolution, Martin's account takes in the changes wrought on writing by computers and electronic systems of storage and communication, and offers surprising insights into the influence these new technologies have had on children born into the computer age. The power of writing to influence and dominate is, indeed, a central theme in this history, as Martin explores the processes by which the written word has gradually imposed its logic on society over four thousand years. The summation of decades of study by one of the world's great scholars on the subject, this fascinating account of writing explains much about the world we inhabit, where we uneasily confer, accept, and resist the power of the written word.
Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.
In The Lyon Terence Giulia Torello-Hill and Andrew J. Turner take an unprecedented interdisciplinary approach to map out the influence of late-antique and medieval commentary and iconographic traditions over this seminal edition of the plays of Terence, published in Lyon in 1493, and examine its legacy. The work had a profound impact on the way Terence’s plays were read and understood throughout the sixteenth century, but its influence has been poorly recognised in modern scholarship. The authors establish the pivotal role that this book, and its editor Badius, played in the revitalisation of the theoretical understanding of classical comedy and in the revival of the plays of Terence that foreshadowed the establishment of early modern theatre in Italy and France.
This first edition of the cartulary contains 121 letters received from the barons and prelates of the county during the rule of Count Thibaut III (1198-1201) and the first decade of the regency of his widow, Countess Blanche (1201-22).
Eight studies, including: - Literature on Hebrew incunabula since the Second World War, - Notes on Hebrew printing at Naples about 1490, - A list of copies of Hebrew incunabula, disappeared since the outbreak of the Second World War.
This book deals with the different translations into Old French of Giles of Rome’s De regimine principum, dedicated to Philippe le Bel around 1279, and their readership. First-hand manuscript research has permitted us to understand not only the general context of their production but also the social conditions of their transmission and circulation. This work concentrates on different aspects of the reception of Giles of Rome’s pedagogical ideas by his “translators”, who are by no means passive in this process. This book provides not only a concrete idea of what Giles of Rome’s educational ideas became when mediated for the consumption of a lay public but also how the translators, in their translations, supported the transmission of re-appropriated knowledge.
The Oxford Handbook of Latin Palaeography provides a comprehensive overview of the development of Latin script from Antiquity to the Renaissance, codicology, and the cultural setting of the medieval manuscript. It will be an indispensable tool for all those interested in medieval book production.
Examines the late eighteenth-century preoccupation with the acquisition of old books, and the new historical discipline created by traders.
Offered here for the first time, the essays represent the most recent formulations of a wide variety of specialists within their own areas of expertise, while collectively contributing to the current historiographical debates about continuity and discontinuity between the Middle Ages and the Early Modern era.