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In 1968 University of California Press published an unusual manuscript by an anthropology student named Carlos Castaneda.ÊThe Teachings of Don Juan enthralled a generation of seekers dissatisfied with the limitations of the Western worldview. Castaneda's now classic book remains controversial for the alternative way of seeing that it presents and the revolution in cognition it demands. Whether read as ethnographic fact or creative fiction, it is the story of a remarkable journey that has left an indelible impression on the life of more than a million readers around the world.
First published in 1990, Don Juan: Variations on a Theme explores the differing perceptions of this famous character following his first appearance on the European stage in the early seventeenth century. The book concentrates on the ways in which perceptions of Don Juan’s character have altered in response to changes in social and moral values. It examines famous Don Juan works, including those by Moliere, Byron, Pushkin, Shaw, Anouilh, and Max Frisch, and relates them to these changing views. It also looks at a variety of other plays, poems, and novels on this theme, and highlights the important role of music in Don Juan’s history. The book concludes with a consideration of Don Juan’s lasting popularity and whether it has run its course. Don Juan: Variations on a Theme will appeal to anyone with an interest in the history of Don Juan, comparative literature, and European literature.
A selection of seven of Moliere's prose plays that demonstrates both his versatility as a playwright and the reasons for his enduring popularity.
Don Juan - By Lord Byron - The story, told in seventeen cantos, begins with the birth of Don Juan. As a young man he is precocious sexually, and has an affair with a friend of his mother. The husband finds out, and Don Juan is sent away to Cadiz. On the way, he is shipwrecked, survives, and meets the daughter of a pirate, whose men sell Don Juan as a slave. A young woman who is a member of a Sultan's harem, sees that this slave is purchased. She disguises him as a girl and sneaks him into her chambers. Don Juan escapes, joins the Russian army, and rescues a Muslim girl named Leila. Don Juan meets Catherine the Great, who asks him to join her court. Don Juan becomes sick, is sent to England, ...
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Lord Byron's satirical poem 'Don Juan' is based on the legend of Don Juan, which Byron reverses, portraying Juan not as a womaniser but as someone easily seduced by women. It is a variation on the epic form. Byron himself called it an Epic Satire. Byron completed 16 cantos, leaving an unfinished 17th canto before his death in 1824. Byron claimed he had no ideas in his mind as to what would happen in subsequent cantos as he wrote his work.
In Don Juan and the Point of Honor, James Mandrell undertakes a systematic examination of the many questions surrounding the legendary character. What emerges is a view of Don Juan as a positive social force in patriarchal society and culture. Mandrell shows that Don Juan should not be treated as an innocent or outmoded cultural artifact.