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Interdisciplinary in approach, 'Cultivating Madrid' argues that gardens and garden imagery trouble the distinction not only between nature and artifice, but also between reality and representation in general, and are thus crucial to understanding realism and the process of modernisation in Spain.
Previously published as a special issue of The Bulletin of Spanish Studies, The Eighteenth-Century Theatre in Spain is the second in a series of research bibliographies on the Theatre in Spain. Representing ten years of searches and compilation by its specialist authors, this volume draws together data on more than 1,500 books, articles and documents concerned with Spanish eighteenth-century theatre. Studies of plays and playwrights are included as well as material dealing with theatres, actors and stagecraft. Wherever possible, items listed have been personally examined, and their library location in Britain, Spain or USA is provided. Scholars with interests in drama will find in this single-volume work of reference a wealth of reliable information concerning this specialist field.
Darwinian theory - the big idea of the nineteenth century - and its impact on the writing of Benito Pérez Galdós. Despite the fact that Darwinian theory was perhaps the big idea of the nineteenth century, most critics in the past have assumed that Benito Pérez Galdós would have remained unaffected by this scientific and philosophical revolution. This work contends otherwise, charting the influence of evolutionary theories on Galdós throughout his literary career. From his adaptation of the early nineteenth-century costumbristas' depiction of social species into a more sophisticated portrayal of Madrid society to his treatment of shifting social forces at a time of major socio-economic c...
The adventurous woman nicknamed La Belle Créole is brought to life in this book through the full use of her memoirs, contemporary accounts, and her intimate letters. The fascinating María de las Mercedes Santa Cruz y Montalvo, also known as Mercedes, and later the Comtesse Merlin, was a Cuban-born aristocrat who was years ahead of her time as a writer, a socialite, a salon host, and a participant in the Cuban slavery debate. Raised in Cuba and shipped off to live with her socialite mother in Spain at the age of 13, Mercedes triumphed over the political chaos that blanketed Europe in the Napoleonic days, by charming aristocrats from all sides with her exotic beauty and singing voice. She ma...