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Classical Vertigo
Alfred Hitchcock’s Vertigo has dazzled and challenged audiences with its unique aesthetic design and startling plot devices since its release in 1958. In Classical Vertigo: Mythic Shapes and Contemporary Influences in Hitchcock’s Film, Mark William Padilla analyzes antecedents including: (1) the film’s source novel, D’entre les morts (Among the Dead), (2) the earlier symbolist novel, Rodenbach’s Bruges-la-morte, and (3) the first-draft screenplay of Maxwell Anderson, a prominent Broadway dramatist and Hollywood scenarist from the 1920s to the 1950s. The presence of Vertigo amid these texts reveals and clarifies how themes from Greco-Roman antiquity emerge in Hitchcock’s project. Padilla analyzes narrative figures such as Prometheus and Pandora, Persephone and Hades, and Pygmalion and Galatea, as well as themes like the dark plots of Greek tragedy, to reveal how Hitchcock used allusive form to construct an emotionally powerful experience with an often-minimalist script. This analysis demonstrates that Vertigo is a multifaceted work of intertextuality with artistic and cultural roots extending into antiquity itself.
Congressional Record
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General Register
Announcements for the following year included in some vols.
The Brassicaceae — Agri-Horticultural and Environmental Perspectives
This Frontiers Research Topic "The Brassicaceae- Agri-Horticultural and Environmental Perspectives" is an effort to provide a common platform to agronomists, horticulturists, plant breeders, plant geneticists/molecular biologists, plant physiologists and environmental plant scientists exploring major insights into the role of important members of the plant family Brassicaceae (the mustard family, or Cruciferae) in agri-horticultural and environmental arenas.
Parliamentary Papers
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Black Mecca
The changes to U.S. immigration law that were instituted in 1965 have led to an influx of West African immigrants to New York, creating an enclave Harlem residents now call ''Little Africa.'' These immigrants are immediately recognizable as African in their wide-sleeved robes and tasseled hats, but most native-born members of the community are unaware of the crucial role Islam plays in immigrants' lives. Zain Abdullah takes us inside the lives of these new immigrants and shows how they deal with being a double minority in a country where both blacks and Muslims are stigmatized. Dealing with this dual identity, Abdullah discovers, is extraordinarily complex. Some longtime residents embrace th...
Comparing Conviviality
In a world where difference is often seen as a threat or challenge, Comparing Conviviality explores how people actually live in diverse societies. Based on a long-term ethnography of West Africans in both Senegal and Spain, this book proposes that conviviality is a commitment to difference, across ethnicities, languages, religions, and practices. Heil brings together longstanding histories, political projects, and everyday practices of living with difference. With a focus on neighbourhood life in Casamance, Senegal, and Catalonia, Spain - two equally complex regions - Comparing Conviviality depicts how Senegalese people skillfully negotiate and translate the intricacies of difference and power. In these lived African and European worlds, conviviality is ever temporary and changing. This book offers a textured, realist, yet hopeful understanding of difference, social change, power, and respect. It will be invaluable to students and scholars of African, migration, and diversity studies across anthropology, sociology, geography, political sciences, and law.
