Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Art of the Hellenistic Kingdoms
This handsome newly designed addition to The Metropolitan Museum of Art’s symposia series furthers the study of one of the most influential but less known periods of Greek art and culture. It is based on papers given at a two-day scholarly symposium held in conjunction with the award-winning exhibition “Pergamon and the Hellenistic Kingdoms of the Ancient World,” on view at the Metropolitan in 2016. The twenty diverse essays exemplify the international scope of the Hellenistic arts, which cover the three centuries between the death of Alexander the Great in 323 B.C. and the suicide of Cleopatra in 30 B.C. Subjects range from twenty-first century approaches to museum displays of archaeo...
Covenant and Commonwealth
At the very beginning of the history of the covenant idea, human beings were conceived as entering into a morally grounded and informal pact with God. Politically, this pact, or covenant, involves the coming together of basically equal humans who consent with one another through a morally binding pact, setting the partners on the road to a new task. As a theological and political concept, covenant is designed to keep the peace in the face of conflicting human interests, needs, and demands. This pioneering continuation of Daniel J. Elazar's work is concerned with political uses of the idea of covenant and the political arrangements that flow from it. Covenant and Commonwealth is the second in...
General Register
Announcements for the following year included in some vols.
Photographing Tutankhamun
They are among the most famous and compelling photographs ever made in archaeology: Howard Carter kneeling before the burial shrines of Tutankhamun; life-size statues of the boy king on guard beside a doorway, tantalizingly sealed, in his tomb; or a solid gold coffin still draped with flowers cut more than 3,300 years ago. Yet until now, no study has explored the ways in which photography helped mythologize the tomb of Tutankhamun, nor the role photography played in shaping archaeological methods and interpretations, both in and beyond the field. This book undertakes the first critical analysis of the photographic archive formed during the ten-year clearance of the tomb, and in doing so explores the interface between photography and archaeology at a pivotal time for both. Photographing Tutankhamun foregrounds photography as a material, technical, and social process in early 20th-century archaeology, in order to question how the photograph made and remade ‘ancient Egypt’ in the waning age of colonial order.
Reflections: 50 Years of Medieval Archaeology, 1957-2007: No. 30
This volume celebrates the 50th anniversary of the Society for Medieval Archaeology (established in 1957), presenting reflections on the history, development and future prospects of the discipline. The papers are drawn from a series of conferences and workshops that took place in 2007-08, in addition to a number of contributions that were commissioned especially for the volume. They range from personal commentaries on the history of the Society and the growth of the subject (see papers by David Wilson and Rosemary Cramp), to historiographical, regional and thematic overviews of major trends in the evolution and current practice of medieval archaeology. All the publications are fully refereed with the aim of publishing at the highest academic level reports on sites of national and international importance, and of encouraging the widest debate. The series’ objectives are to cover the broadest chronological and geographical range and to assemble a series of volumes which reflect the changing intellectual and technical scope of the discipline.
Calendar
None
Hengest, Gwrtheyrn and the Chronology of Post-Roman Britain
In this book, the author makes use of the methodology he developed in Origins of Arthurian Romances (McFarland 2012) in order to reevaluate the post-Roman history of Britain. He begins by delving into the historical contexts of the key traditional players of the fifth century--Hengest and Gwrtheyrn. A better understanding of these two characters allows for a reexamination of the persons and events of the fifth, sixth, and seventh centuries. The text that follows entirely realigns how those centuries can be seen from a chronological as well as a military and political standpoint. The fifth century was not a time of British and Germanic fragmentation as they separated from Rome, but one of slow integration and the formation of kingships that were a result of the economic realities of surviving without the dying giant.
