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What do Einsteinian relativity, eighteenth-century field theory, Neoplatonism, and the overthrow of three-dimensional perspective have in common? The poet and artist William Blake's geometry—the conception of space-time that informs his work across media and genres. In this illuminating, inventive new study, Andrew M. Cooper reveals Blake to be the vehicle of a single imaginative vision in which art, literature, physics, and metaphysics stand united. Romantic-period physics was not, as others have assumed, materialist. Blake's cosmology forms part of his age's deep reevaluation of body and soul, of matter and Heaven, and even probes what it is to understand understanding, reason, and subst...
This volume was first published by Inter-Disciplinary Press in 2014. The erotic is a complex and highly problematic phenomenon that scholars have agonised over for centuries. Generally speaking, the erotic refers to sex and sexuality. However, it is a multifaceted term that holds multiple, meanings for different people. The erotic, on the one hand, is personal – a collection of thoughts, feelings, beliefs, and sensations shared with one’s self or other people. On the other hand, it is explicitly public – subject to censorship, scientific study, penalisation, political debate, and reproduction in art. It is also the basis of this volume, which includes chapters from 14 different authors who presented their ideas on eroticism at the 7th Global Conference: The Erotic (Exploring Critical Issues) at Mansfield College, Oxford in September 2012. This volume offers a broad perspective on issues of the erotic with the authors representing not only a wide variety of academic and non-academic disciplines but also a range of countries from across the globe.
Gigante offers a way to read ostensibly difficult poetry and reflects on the natural-philosophical idea of organic form and the discipline of literary studies.
Hidden mutualities link the work of major postcolonial writers with Christopher Marlowe's drama of the Faustian pact - the manipulation of the material world in exchange for the soul - written as the 'scientific' world-view was emerging which accompanied the imperial expansion of Europe and has determined the economic and social structures of the colonial and postcolonial world. This fascinating study brings together researches in widely different fields to show how Doctor Faustus reflects a Gnostic / Hermetic tradition marginalized within the dominant European power structures. Rediscovered in the Renaissance, and combined with occult arts such as alchemy and magic, this living tradition in...
DIVDefinitive study of strange symbolism Blake used to attack political tyranny of his time. "For our sense of Blake in his own times we are indebted to David Erdman more than anyone else."—Times Literary Supplement. Third revised edition. 32 black-and-white illus. /div
William Blake's literary works are characterized by a ceaseless dynamics constituted in the fierce interactions of the language, thought, and narrative of his myth. Highlighting the critical problems facing the linear approach that the study of Blake has adopted from the traditional methodology of Newtonian science, Jules van Lieshout argues that nonlinearity is the key to understanding Blake's prophecies. Throughout his discussions, Van Lieshout focuses on the relation of Blake's Generation and Eternity, which he identifies as Bakhtinian 'world views'. In Generation, existence is finalized as a hierarchy of geometric 'dark globes', each assuming the character of universal whole to the exclu...
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Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know – or think we know – about one of the most important periods in literary history. Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct and clarify several of the commonly-held myths about the key figures of this era Corrects some of the biases and beliefs about the Romantics that have crept into the 21st-century zeitgeist – for example that they were a bunch of drug-addled atheists who believed in free love; that Blake was a madm...
It demonstrates that Blake's protests are directed to laws based on obligation, which assume that all human persons are essentially alike, while Blake's advocacy of forgiveness among human beings assumes an ethics of character based on the cultivation of virtues.