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London, a Social History
An extraordinary city, London grew from a backwater in the Classical Age into an important medieval city and significant Renaissance urban center to a modern colossus--full of a free people ever evolving. Roy Porter touches the pulse of his hometown and makes it our own, capturing London's fortunes, people, and imperial glory with vigor and wit. 58 photos.
The City as a Work of Art
Examines public buildings and homes in ninteenth-century London, Paris, and Vienna, and explains how each city reflected the characteristic lifestyle of its population.
Austrian Information
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The City in Mind
This title takes an in-depth look at the history, development and state of architectural and societal success of cities, including London, Rome, Berlin, Paris and Mexico City.
The Diary of a Nobody
Weedon Grossmith's 1892 book presents the details of English suburban life through the anxious and accident-prone character of Charles Porter. Porter's diary chronicles his daily routine, which includes small parties, minor embarrassments, home improvements, and his relationship with a troublesome son. The small minded but essentially decent suburban world he inhabits is both hilarious and painfully familiar. This edition features Weedon Grossmith's illustrations and an introduction which discusses the story's social context. Kate Flint is is Reader in Victorian and Modern English Literature and Fellow of Linacre College, Oxford. Her publications include The Woman Reader, 1837-1914 (1993) and many articles on early nineteenth and twentieth century fiction and art history.
Making Houses, Crafting Capitalism
How entrepreneurial housebuilders fueled a rapid economy. "A well-written and easily read business book with a historical perspective, quite fit for a general readership interested in the history of American enterprise."—APT Bulletin
The Town House in Georgian London
This title takes a fresh look at a familiar building type - the town house in 18th century London - and investigates the circumstances in which individuals made decisions about living in London, and particularly about their West End house.
The Politics of Spatial Transgressions in the Arts
This book is an anthology of the varied strategies of spatial transgressions and how they have been implemented through the arts as a means to resist, rejuvenate, reclaim, critique or cohabitate. The book is divided into two sections – Displacements and Disruptions. The first section discusses the ramifications of the spatial displacements of bodies, organizations, groups of people and ethnicities, and explores how artists, theorists and arts organizations have an attentive history of revealing and reacting to the displacement of peoples and how their presence or absence radically reconfigures the value, identity, and uses of place. In the second section, each author considers how aesthetic strategies have been utilized to disrupt expected spatial experiences and logic. Many of these strategies form radical alternative methodologies that include transgressions, geographies of resistance, and psychogeographies. These spatial performances of disruption set into motion a critical exchange between the subject, space and materiality, in which ideology and experience are both produced/spatialized and deconstructed/destabilized.
