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First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
"Explores Hughes's intellectual method and its relation to social activism. Examines his involvement with socialist movements of the 1920s and 1930s and contends that the goal of overthrowing white oppression produced a "socialist joy" expressed repeatedly in his later work, in spite of the anticommunist crusades of the cold war"--Provided by publisher.
The "Simple" stories, Langston Hughes's satirical pieces featuring Harlem's Jesse B. Semple, have been lauded as Hughes's greatest contribution to American fiction. In Not So Simple, Donna Akiba Sullivan Harper provides the first full historical analysis of the Simple stories. Harper traces the evolution and development of Simple from his 1943 appearance in Hughes's weekly Chicago Defender column through his 1965 farewell in the New York Post. Drawing on correspondence and manuscripts of the stories, Harper explores the development of the Simple collections, from Simple Speaks His Mind (1950) to Simple's Uncle Sam (1965), providing fresh and provocative perspectives on both Hughes and the ch...
Winner of the 2018 Award for Excellence in the Study of Religion in Textual Studies, presented by the American Academy of Religion 2018 Outstanding Academic Title, given by Choice Magazine A new perspective on the role of religion in the work of Langston Hughes Langston's Salvation offers a fascinating exploration into the religious thought of Langston Hughes. Known for his poetry, plays, and social activism, the importance of religion in Hughes’ work has historically been ignored or dismissed. This book puts this aspect of Hughes work front and center, placing it into the wider context of twentieth-century American and African American religious cultures. Best brings to life the religious...
Esteemed critic Blanche Gelfant's brilliant companion gathers together lucid essays on major writers and themes by some of the best literary critics in the United States. Part 1 is comprised of articles on stories that share a particular theme, such as "Working Class Stories" or "Gay and Lesbian Stories." The heart of the book, however, lies in Part 2, which contains more than one hundred pieces on individual writers and their work, including Fitzgerald, Hemingway, Richard Ford, Raymond Carver, Eudora Welty, Andre Debus, Zora Neal Hurston, Anne Beattie, Bharati Mukherjee, J. D. Salinger, and Jamaica Kincaid, as well as engaging pieces on the promising new writers to come on the scene.
Small college professors from across the United States explain why liberal arts institutions remain the gold standard for higher education. The fevered controversy over Americas educational future isnt simply academic; those who have proposed sweeping reforms include government officials, politicians, foundation officers, think-tank researchers, journalists, media pundits, and university administrators. Drowned out in that noisy debate are the voices of those who actually teach the liberal arts exclusively to undergraduates in our nations small liberal arts colleges, or SLACs. The Best Kind of College attempts to rectify that glaring oversight. As an insiders guide to the liberal...
In The Power of Black Excellence, Deondra Rose provides an authoritative history of Historically Black Colleges and Universities (HBCUs) and the unique role they have played in shaping American democracy since 1865. Drawing on over six years of research, Rose brings into view the historic impact that government support for HBCUs has had on the American political landscape, arguing that they have been essential for not only empowering Black citizens but also reshaping the distribution of political power in the United States. A fresh look into the relationship between education and democracy, this book is essential reading for anyone interested not just in HBCUs, but the broader trajectory of Black citizenship in American history.
Vitality Politics focuses on a slow racial violence against African Americans through everyday, accumulative, contagious, and toxic attritions on health. The book engages with recent critical disability studies scholarship to recognize that debility, or the targeted maiming and distressing of Black populations, is a largely unacknowledged strategy of the U.S. liberal multicultural capitalist state. This politicization of biological health serves as an instrument for insisting on a racial state of exception in which African Americans’ own unhealthy habits and disease susceptibility justifies their legitimate suspension from full rights to social justice, economic opportunity, and political freedom and equality. The book brings together disability studies, Black Studies, and African American literary history as it highlights the urgent need and gives weight to a biopolitics of debilitation and medicalization to better understand how Black lives are made not to matter in our supposedly race-neutral multicultural democracy.
"Satire's real purpose as a literary genre is to criticize through humor, irony, caricature, and parody, and ultimately to defy the status quo. In African American Satire, Darryl Dickson-Carr provides the first book-length study of African-American satire and the vital role it has played. In the process he investigates African American literature, American literature, and the history of satire." --Book Jacket.