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The National Endowment for the Arts is often accused of embodying a liberal agenda within the American government. In Federalizing the Muse, Donna Binkiewicz assesses the leadership and goals of Presidents Kennedy through Carter, as well as Congress and the National Council on the Arts, drawing a picture of the major players who created national arts policy. Using presidential papers, NEA and National Archives materials, and numerous interviews with policy makers, Binkiewicz refutes persisting beliefs in arts funding as part of a liberal agenda by arguing that the NEA's origins in the Cold War era colored arts policy with a distinctly moderate undertone. Binkiewicz's study of visual arts gra...
An antidote to Tea Party anger, this book examines ten aspects of American life - from education to communication, from housing to health - and demonstrates, in engaging well-written essays by some of the nation's foremost scholars, that the federal government plays a central role in making our society function, and it always has.
Written by some of the most respected and accomplished scholars working in their fields, this volume illuminates the often contradictory impulses that have shaped the historical intersection of the arts, public culture, and the state in modern America.
At some point in their career, nearly all the dancers who worked with George Balanchine were told “don’t act, dear; just dance.” The dancers understood this as a warning against melodramatic over-interpretation and an assurance that they had all the tools they needed to do justice to the steps—but its implication that to dance is already to act in a manner both complete and sufficient resonates beyond stage and studio. Drawing on fresh archival material, Don’t Act, Just Dance places dance at the center of the story of the relationship between Cold War art and politics. Catherine Gunther Kodat takes Balanchine’s catch phrase as an invitation to explore the politics of Cold War cul...
This collection of essays, which derive from a symposium held at the Art Institute of Chicago in 2005, tells the story of how medieval art was collected by both individuals and institutions in the American Midwest. This book will appeal to both medievalists and scholars of nineteenth- and twentieth century American history. In addition, it will also appeal to scholars who are interested in museum studies and the history of collecting. The essays in the first section, “Collecting and Displaying Medieval Art,” consider the formation of medieval art collections at influential cultural institutions in three of the most important centers of industry and culture in the Midwest: Chicago, Detroi...
b”A COMPANION TO JOHN F. KENNEDYA COMPANION TO JOHN F. KENNEDY “Marc J. Selverstone has compiled an indispensable volume of essays on John F. Kennedy and his presidency, written by a stellar cast of scholars. What stands out in sharp relief in this wide-ranging and authoritative book is how consequential were Kennedy’s thousand days for the United States and for the world, and how controversial is his legacy. Fredrik Logevall, Stephen and Madeline Anbinder Professor of History, Cornell University “Marc J. Selverstone has brought together a remarkable group of scholars who illuminate the many important ideas of, and events that occurred during, this brief administration. This book is the best record of the Kennedy years.” Alan Brinkley, Allan Nevins Professor of American History, Columbia University “This collection of talented scholars and their research and thoughts on John F. Kennedy is an invaluable resource: a deeply informed conversation for the ages.’ Richard Reeves, writer, syndicated columnist, and senior lecturer at the Annenberg School for Communication at the University of Southern California
From the outbreak of the Cold War to the rise of the United States as the last remaining superpower, the years following World War II were filled with momentous events and rapid change. Diplomatically, economically, politically, and culturally, the United States became a major influence around the globe. On the domestic front, this period witnessed some of the most turbulent and prosperous years in American history. "Postwar America: An Encyclopedia of Social, Political, Cultural, and Economic History" provides detailed coverage of all the remarkable developments within the United States during this period, as well as their dramatic impact on the rest of the world. A-Z entries address specific persons, groups, concepts, events, geographical locations, organizations, and cultural and technological phenomena. Sidebars highlight primary source materials, items of special interest, statistical data, and other information; and Cultural Landmark entries chronologically detail the music, literature, arts, and cultural history of the era. Bibliographies covering literature from the postwar era and about the era are also included, as are illustrations and specialized indexes.
"In this book Karal Ann Marling looks at Grandma Moses as a cultural phenomenon of the postwar period and explores the meaning of her subject matter - and her astonishing fame. What did the "Greatest Generation" see in her simple renderings of people, young and old, tapping maple trees for syrup, making apple butter, gliding across snowy fields on sleighs? Why did Bob Hope, Irving Berlin, and Harry Truman all love her - and the art czars' of New York openly despise her? Through the flood of Moses merchandise - splashed across Christmas cards, dishware, yard goods, and gewgaws of every kind - Marling traces the resonances that these "primitive" images struck in an America awkwardly adjusting to a new era of technology, suburbia, and Cold War tensions.".
As competing American, European, and later Japanese imperial and colonial ambitions spread across the ocean in the nineteenth century, Honolulu emerged as a transnational hub for the exchange of ideas. Rumi Yasutake reveals the pivotal role of women’s organizing in this era of rapid globalization, tracing how diverse movements intersected and converged in Hawai‘i—with worldwide consequences. The Feminist Pacific examines transnational networks in Hawai‘i beginning in 1820, with the arrival of American missionary wives, and through the rise of women’s internationalism in the interwar years. It follows an array of suffragists, missionaries, maternalists, and antiwar activists in thei...
"Introduction Steve Reich pitched up in San Francisco in September 1961. He was a young musician, one who had been taken by the early-century work of the Hungarian composer and folklorist Béla Bartók, and he had journeyed west from New York in the hope of studying with Leon Kirchner, a composer in the rough-lyric Bartók tradition who'd been teaching at Mills College. But Kirchner had just left for Harvard, so Reich ended up working at Mills under Luciano Berio. Over the course of the previous decade, Berio had become identified as a figurehead of the European post-war avant-garde: his ultramodern serialist work was quite a different proposition to Kirchner's own"--