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Reading Between the Lines
Every major socio-political change starts with some discarding. Suffice it to think about the heaps of rubbish consisting of old furniture, cars, busts of famous communist leaders, badges, and books on the streets of Eastern Europe in the fall/winter of 1989/1990. Among the institutions which have the greatest amount of experience with discarding are libraries: Counterintuitive as it may seem, libraries (but also museums and archives) regularly discard books as part of their job. In the wake of the collapse of communism in Europe, stock revision was needed in libraries, but did it unfold in a 'business as usual' fashion or was it a "bibliocide" (as it was labelled by some media in Croatia) o...
The Palgrave Handbook of State-Sponsored History After 1945
This handbook provides the first systematic integrated analysis of the role that states or state actors play in the construction of history and public memory after 1945. The book focuses on many different forms of state-sponsored history, including memory laws, monuments and memorials, state-archives, science policies, history in schools, truth commissions, historical expert commissions, the use of history in courts and tribunals etc. The handbook contributes to the study of history and public memory by combining elements of state-focused research in separate fields of study. By looking at the state’s memorialising capacities the book introduces an analytical perspective that is not often found in classical studies of the state. The handbook has a broad geographical focus and analyses cases from different regions around the world. The volume mainly tackles democratic contexts, although dictatorial regimes are not excluded.
A Tale of Two Worlds
In this novel, written by the esteemed novelist in 1901, a provincial composer and organist from Croatia struggles to find his way along the perilous frontier between the worlds of artistic vocation and humdrum family life. The local kapellmeister—-a Czech, in good Habsburg tradition, and a confidant of Gaj and Palacky, influential politicians of the time—-recognizes young Amadej Zlatanic as a prodigy and persuades the stingy mayor and stubborn parish priest to pack the teenager off to the conservatory in Prague. After several years of sordid student purgatory, Amadej returns to Croatia—-ready for love and ready to make great art.The world of Central Europe in the 1860s flows past, and...
Amoral Communities
In Amoral Communities, Mila Dragojević examines how conditions conducive to atrocities against civilians are created during wartime in some communities. She identifies the exclusion of moderates and the production of borders as the main processes. In these places, political and ethnic identities become linked and targeted violence against civilians becomes both tolerated and justified by the respective authorities as a necessary sacrifice for a greater political goal. Dragojević augments the literature on genocide and civil wars by demonstrating how violence can be used as a political strategy, and how communities, as well as individuals, remember episodes of violence against civilians. Th...
Made in YU 2015 [drugi natis]
V knjigi so zbrane raznolike zgodbe iz jugoslovanske industrijske, vsakodnevne, mitske, popkulturne preteklosti in dediščine. A vendarle, te zgodbe, ki rastejo iz socialistične preteklosti, so zgodbe reči, ki imajo pomembno mesto tukaj in sedaj. Avtorji s pomočjo junakov in junakinj svojih esejev premišljujejo o dramatičnih in pomembnih spremembah, o preoblikovanjih vsakdanjih, kulturnih, političnih, ekonomskih in afektivnih svetovih na območju nekdanje Jugoslavije. Prvi natis je dobil nagrado za najbolje oblikovano knjigo na 32. Slovenskem knjižnem sejmu (2016) v kategoriji znanstvene in stvarne literature (Tanja Radež).
Conflict Intervention and Transformation
This book is aimed at both professionals and students who desire to deepen their understanding of the processes involved in conflict intervention and resolution effectively.
Post-Socialist Political Graffiti in the Balkans and Central Europe
This theoretically and empirically grounded book uses case studies of political graffiti in the post-socialist Balkans and Central Europe to explore the use of graffiti as a subversive political media. Despite the increasing global digitisation, graffiti remains widespread and popular, providing with a few words or images a vivid visual indication of cultural conditions, social dynamics and power structures in a society, and provoking a variety of reactions. Using qualitative and quantitative methods, as well as detailed interdisciplinary analyses of "patriotic," extreme-right, soccer-fan, nostalgic, and chauvinist graffiti and street art, it looks at why and by whom graffiti is used as political media and to/against whom it is directed. The book theorises discussions of political graffiti and street art to show different methodological approaches from four perspectives: context, author, the work itself, and audience. It will be of interest to the growing body of literature focussing on (sub)cultural studies in the contemporary Balkans, transitology, visual cultural studies, art theory, anthropology, sociology, and studies of radical politics.
The Politics of Memory of the Second World War in Contemporary Serbia
Exploring the concepts of collaboration, resistance, and postwar retribution and focusing on the Chetnik movement, this book analyses the politics of memory. Since the overthrow of Slobodan Milošević in 2000, memory politics in Serbia has undergone drastic changes in the way in which the Second World War and its aftermath is understood and interpreted. The glorification and romanticisation of the Yugoslav Army in the Homeland, more commonly referred to as the Chetnik movement, has become the central theme of Serbia’s memory politics during this period. The book traces their construction as a national antifascist movement equal to the communist-led Partisans and as victims of communism, s...
Holocaustliteratur: Überlegungen zu Reichweite und Grenzen eines literaturwissenschaftlichen Konzepts
Die Erforschung der Holocaustliteratur hat Hochkonjunktur. Was aber ist unter dem Begriff eigentlich zu verstehen? Wo ist seine Verwendung sinnvoll, wo stößt sie an Grenzen? Bislang wurde der Terminus weitgehend unreflektiert benutzt, Versuche einer Konzeptualisierung haben in Literatur- und Kulturwissenschaft kaum stattgefunden. Insofern beschreitet der vorliegende Band neue Wege. Die Beiträge lassen anhand unterschiedlicher methodischer Näherungen und auf der Grundlage exemplarischen Textmaterials ein umfassendes Bild von der Reichweite und den Grenzen des Begriffs Holocaustliteratur als eines literaturwissenschaftlichen Konzepts entstehen. Dabei wird hinterfragt, wo Funktionalität un...
