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This volume draws together an international team of scholars to explore the experience and significance of early modern European continental warfare from an interdisciplinary perspective. Individual essays add to the lively fields of War and Society and the New Military History by combining the history of war with political and diplomatic history, the history of religion, social history, economic history, the history of ideas, the history of emotions, environmental history, art history, musicology, and the history of science and medicine. The contributors address how warfare was entwined with European learning, culture, and the arts, but also examine the ties between warfare and ideas or ide...
Joanna Cannon's scholarship and teaching have helped shape the historical study of thirteenth- and fourteenth-century Italian art; this essay collection by her former students is a tribute to her work.
Civic virtues were central to early modern Nürnberg’s visual culture. These essays explore Nürnberg as a location from which to study the intersection of art and power. The imperial city was awash in emblems, and they informed most aspects of everyday life. The intent of this volume is to focus new attention on the town hall emblems, while simultaneously expanding the purview of emblem studies, moving from strict iconological approaches to collaborations across methodologies and disciplines.
Supported by Eurasia Pacific Uninet, the second international conference on "Archaeology and Conservation along the Silk Road" was jointly organized by Nanjing University China and Institute of Conservation, University of Applied Arts Vienna and held in May 2016 in China. Silk Road showcases the trans-continental cultural movements between Europe and Asia and this event encouraged researchers to reflect on popular as well as otherwise under-represented topics. This volume includes selected papers from the conference and merges aspects of archaeology with conservation. Subjects vary from field drawings, unique local techniques, spread of diseases and epidemics to DNA studies assessing population migration and mixture. Next Silk Road conference is planned for 2018 to carry forward the initiative of learning and exchange of knowledge.
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems ent...
Contrary to the historiographical commonplace “no Reformation without print” Cultures of Communication examines media in the early modern world through the lens of the period’s religious history. Looking beyond the emergence of print, this collection of ground-breaking essays highlights the pivotal role of theology in the formation of the early modern cultures of communication. The authors assembled here urge us to understand the Reformation as a response to the perceived crisis of religious communication in late medieval Europe. In addition, they explore the novel demands placed on European media ecology by the acceleration and intensification of global interconnectedness in the early modern period. As the Christian evangelizing impulse began to propel growing numbers of Europeans outward to the Americas and Asia, theories and practices of religious communication had to be reformed to accommodate an array of new communicative constellations – across distances, languages, cultures.
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The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems ent...
A landmark in the study of early modern Europe, this two-volume collection makes available for the first time a selection of the most important texts from court and civic festival books. Festival entertainments were presented to mark such occasions as royal and ducal entries to capital cities, dynastic marriages, the birth and christening of heirs, religious feasts and royal and ducal funerals. Europa Triumphans represents the chronological and trans-European range of the court and civic festival.These festivals are represented not simply as texts, but as events, and are introduced by groups of scholars, each with a specialist knowledge of the political, social and cultural significance of the festival and of the iconography, spectacle, music, dance, voice and gesture in which they were expressed.
This volume questions the present-day assumption holding the Italian academies to be the model for the European literary and learned society, by juxtaposing them to other types of contemporary literary and learned associations in several Western European countries.