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Days of Grace
This collection spans over forty years of Kareva's poetic output.
Six Estonian Poets
This anthology features the work of six of Estonia's most celebrated poets. They write from their oral tradition and folklore, explore new forms of poetry through music, marginalia and note-making.
Shape of Time
'Shape of Time' is Doris Kareva's eleventh collection and, as with all her books, its publication was hailed as a major literary event in Estonia. In style, it is more restrained than her earlier collections but its themes are the same - love and its great enemies, death and time - and the poems still retain the romantic bravado and recklessness that make her work so compelling. Doris Kareva is arguably Estonia's leading female poet. Born in Tallinn in 1958, she studied English Language and Literature at Tartu University and from 1978-1993, and from 1997-2002, she worked for the cultural weekly Sirp. From 1992-2008 she was the Secretary-General of the Estonian National Commission for UNESCO in Estonia, and from 2009 Chief Editor of the family journal Meie Pere. Since 1978 she has published 14 collections of poetry, which have been translated into over 20 languages, and one collection of essays.
Aja Kuju
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Then what
With the demise of the Soviet Union, Lithuania jumped from a neo-romantic modernism straight into the postmodern wasteland of unfettered capitalism. Pensions disappeared along with jobs. Everything underwent "reform". Everything was for sale. Poetry audiences went from stadium size to coffee house size. Giddy joy was followed by disillusion, anxiety, angst. Gintaras Grajauskas's poetry cannot be understood without this backdrop, for it was here that he cut his poetic teeth and became a major Lithuanian poet. He met the jarring changes around him with a wry smile, black humour, irony - all grounded in respect for the quotidian, the small, the insignificant. Reading his poems, one can laugh an...
Selected Poems
This collection brings together, for the first time, poetry from three strikingly different phases of Joy Goswami's formidable literary career -- Surjo-Pora Chhai (Ashes, Burnt by the Sun, 1999), Moutat Moheshwar (Shiva, My High, 2005) and Du Dondo Phowara Matro (Merely a Spurt of Time, 2011). Selected and translated by Sampurna Chatterji, this book, which includes an in-depth interview with the poet, introduces the English reader to the world of a poet whose language is powerful, inventive and often enigmatic. While some poems invoke a landscape that is 'mysterious, anguished and visionary', in others Joy Goswami achieves mischief and melancholy with the deftest of strokes.
The Junction
"Lithuania's Tomas Venclova is one of Europe's greatest living poets. His work speaks with a moral depth exceptional in contemporary poetry. Venclova's poetry addresses the desolate landscape of the aftermath of totalitarianism, as well as the ethical constants that allow for hope and perseverance. The Junction brings together entirely new translations of his most recent work as well as a selection of poems from his 1997 volume Winter Dialogue."--BOOK JACKET.
A Fine Line
In this title, 20 young poets, two each from the ten Eastern and Central European countries acceding to the European Union in May 2004, are represented, the 'new poetics' from the 'new Europe'. It is a parallel-text volume, with original language/English translation on facing pages.
Useful Verses
Winner of the Seamus Heaney First Collection Poetry Prize Richard Osmond's debut collection Useful Verses follows in the tradition of the best nature writing, being as much about the human world as the natural, the present as the past: Osmond, a professional forager, has a deep knowledge of flora and fauna as they appear in both natural and human history, as they are depicted in both folklore and herbal - but he views them through a wholly contemporary lens. Chamomile is discussed through quantum physics, ants through social media, wood sorrel through online gambling, and mugwort through a traffic cone. In each case, Osmond offers an arresting and new perspective, and makes that hidden world that lives and breathes beside us vividly part of our own. This is a fiercely inventive, darkly witty and brilliantly observed debut from a voice unlike any other you have read before - and as far from any quaint and conservative notion of 'nature poetry' as it is possible to get.
Standard Midland
Roy Fisher is known internationally for his witty, anarchic poetry which plays the language, pleasures the imagination, and teases the senses. In Standard Midland, he confronts and worries at nuances of perception and the politics of understanding. Many of the poems are concerned with landscapes: experienced, imagined, or painted, particularly the scarred and beautiful North Midlands landscape in which he has lived for nearly thirty years.
