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A leading voice on Dada, Surrealist and Latin American art, the art historian
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An anthology of critical texts and interviews with the fascinating Americanconceptual artist Fred Wilson, who describes himself as of ''African, NativeAmerican, European and Amerindian'' descent. Recipient of a MacArthurFoundation Genius Grant, Wilson's subject is social justice and his medium ismuseology. This publication focuses on the artist's p
This anthology includes the vast majority of significant essays on Bridget Riley written since 1999. This was a particularly fruitful period in the reception of her work, as the discourse broadened and her reputation as one of the most important painters of her generation solidified.The essays range from biographical and career overviews to detailed analysis of specific aspects or themes that occur throughout Riley's career. The selection reflects a rich body of work, which sustains the interest of important authors, as evidenced by multiple pieces by �ric de Chassey, Lynne Cooke, Robert Kudielka, Paul Moorhouse and Richard Shiff. Together, this volume of essays tells the story of an artis...
“I spend every day thinking about the paintings and sculptures I will be creating, which fills my life with great joy. Art is an important means of identifying human existence and can send a wonderful message to the world. I believe that artists will create a new world and hope that everyone will share their own messages with the world.” —Yayoi Kusama, artist “This book has not only entertained but has also encouraged my students to express themselves in new and powerful ways.” —Raleigh Young, Kindergarten Teacher at Polytechnic School, Pasadena, CA “I wish I had this book when I was a youngster, to help me understand just how many ways you could approach being an artist, and a...
A young boy learns that art is all around us in this captivating picture book about a day at the museum. We all remember what it was like to be a child in a crowded art museum. It was hard to see, let alone appreciate the art. It got tiring. And there was so much else to look at! That’s the lesson of this ingeniously simple yet profound book about art. It is everywhere—from another visitor’s elaborate tattoos to the way the sun makes patterns of light on the floor. While other visitors are busy trying to find their way through the museum’s galleries, or fighting for room to view a masterpiece, our hero examines the gallery upside down from a bench, plays with his shadow, and makes friends with the custodian. With a wink and a nod to serious museum-goers everywhere, Joanne Liu’s whimsical illustrations remind us that sometimes the best kind of art is the kind you make yourself.
Rose English emerged from the Conceptual art, dance and feminist scenes of 1970s Britain to become one of the most internationally influential performance artists working today. This comprehensive exhibition catalog documents her 40-year career to date, including legendary site-specific performances and large-scale spectaculars. Her uniquely interdisciplinary work combines elements of theater, circus, opera and poetry to explore themes of gender politics, the identity of the performer and the metaphysics of presence. English has mounted performances on ice rinks; at the Royal Court Theatre and Tate Britain, London and Franklin Furnace, New York, collaborating with horses, magicians and acrobats. Accompanying many rare archival photographs and performance scripts, a major essay by art critic/curator Guy Brett surveys the artists work and times alongside interviews with two of Englishs closest collaborators, Sally Potter and Simon Vincenzi.
Published on occasion of the exhibition "Mel Bochner: If the Colour Changes," held at the Whitechapel Art Gallery, 12 October - 30 December 2012; Haus der Kunst, Munich, 1 March - 16 June 2013; Fundacao de Serralves, Porto, 12 July - 13 October 2013.
“It never occurred to me while growing up that art is an industry involving countless jobs, so if this book helps shed light to just one kid that it is a viable career option, then it has done its job, as art is indescribably important!” —Oliver Jeffers, Artist and Illustrator “This book so beautifully explains to kids what goes into making an art exhibition. It’s not just about an artist hanging something on a wall for people to see: it’s so much more lively, layered, and community-driven. Even I learned a ton about what truly goes into a fantastic art show!” —Joy Cho, Author and Founder of Oh Joy! “I wish I’d had this book when I was a kid! I always wanted my art to be ...
A little boy visits an art museum for the first time in this fun, sweet picture book about first experiences and seeing things from new perspectives. Simon is having a great time at the museum with his parents. There are slippery, slidey floors! Pigeons flying around the reflecting pool! And cheesecake in the café! But they’re not really here for any of that. No, Simon has to look at art. And more art. So. Much. Art. There’s so much art that soon Simon needs to take a break and finds somewhere to sit. From his bench, he begins to notice how many different people are visiting the museum and the many different ways they react to the art they see. Some people are alone. Some are in groups. Some people smile. Some shake their heads. Some even shed a tear. And Simon is right in the center of it, watching until he’s inspired to give all the art another try. By the end of the day, he may even find a piece that can rival a slice of cheesecake!