Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
European Cinemas in the Television Age
European Cinemas in the Television Age is a radical attempt to rethink the post-war history of European cinemas. The authors approach the subject from the perspective of television's impact on the culture of cinema's production, distribution, consumption and reception. Thus they indicate a new direction for the debate about the future of cinema in Europe. In every European country television has transformed economic, technological and aesthetic terms in which the process of cinema production had been conducted. Television's growing popularity has drastically reshaped cinema's audiences and forced governments to introduce policies to regulate the interaction between cinema and television in the changing and dynamic audio-visual environment. It is cinematic criticism, which was slowest in coming to terms with the presence of television and therefore most instrumental in perpetuating the view of cinema as an isolated object of aesthetic, critical and academic inquiry. The recognition of the impact of television upon European cinemas offers a more authentic and richer picture of cinemas in Europe, which are part of the complex audiovisual matrix including television and new media.
Reading the French New Wave
Examining connections between the cinematic and literary avant-gardes, this book locates France's filmmaking revolution as a part of a wider re-evaluation of the mid-20th century.
A Companion to Australian Cinema
The first comprehensive volume of original essays on Australian screen culture in the twenty-first century. A Companion to Australian Cinema is an anthology of original essays by new and established authors on the contemporary state and future directions of a well-established national cinema. A timely intervention that challenges and expands the idea of cinema, this book brings into sharp focus those facets of Australian cinema that have endured, evolved and emerged in the twenty-first century. The essays address six thematically-organized propositions – that Australian cinema is an Indigenous screen culture, an international cinema, a minor transnational imaginary, an enduring auteur-genr...
Popular Television in Eastern Europe During and Since Socialism
This collection will be the first volume to gather the best writing on socialist and postsocialist entertainment television as a medium, technology, and institution in Eastern Europe.
No to pięknie
„No to pięknie” jest czwartą częścią przygód szalonej księgowej z powieści „Gdzie diabeł nie może”. Wzajemna fascynacja Duszyczki i Azazela, niezrozumiała dla reszty rezydentów piekła, trwa, dopóki diabeł nie zawiedzie jej zaufania. Dziewczyna porzuca go i próbuje ułożyć sobie życie na nowo, choć powracające, mściwe demony chcą ją unicestwić. Bukmacherzy w zaświatach przyjmują zakłady, jak długo kochankowie wytrzymają bez siebie i czy diabłu uda się odzyskać ukochaną. Lekka, dowcipna książka, napisana z polotem i fantazją, doskonała na poprawę nastroju. Dorota Ostrowska Urodziłam się we Wrocławiu, mieście krasnoludków, ale nigdy tak naprawdę tam nie mieszkałam. Zapewne stąd biorą się moje tęsknoty za równoległą rzeczywistością. W realnym świecie jestem wykładowcą akademickim, a w wolnych chwilach piszę książki o szalonej księgowej i jej piekielnych przygodach.
The Economic Security of Business Transactions
Summary ‘The Economic Security of Business Transactions’ covers such aspects as: management in the economic system; commercial risk in domestic and international transactions; an assessment of partners; unofficial economy and the state budget; economic security business; the role and importance of law in business. The book looks at the threats and risks arising from international trade and operating leading businesses, plus the role of the State. It examines the required new forms, methods and approaches for management. This has significant implications for the businesses concerned and the State’s role. ‘The Economic Security of Business Transactions’ includes coverage of internal ...
The Nouveau Roman and Writing in Britain After Modernism
The nouveau roman and Writing in Britain After Modernism recovers a neglected literary history. In the late 1950s, news began to arrive in Britain of a group of French writers who were remaking the form of the novel. In the work of Michel Butor, Marguerite Duras, Robert Pinget, Alain Robbe-Grillet, Nathalie Sarraute, and Claude Simon, the hallmarks of novelistic writing--discernible characters, psychological depth, linear chronology--were discarded in favour of other aesthetic horizons. Transposed to Britain's highly polarized literary culture, the nouveau roman became a focal point for debates about the novel. For some, the nouveau roman represented an aberration, and a pernicious turn agai...
Women in Polish Cinema
This work aims to explore the main types of female character in Polish feature cinema, from its beginnings to contemporary times and also to analyse the work of the most prominent Polish women film directors against the background of the roles being played by women in Polish history and their positions within society.
Comparative Criticism: Volume 24, Fantastic Currencies in Comparative Literature: Gothic to Postmodern
This new volume looks at Fantastic Currencies: money, modes, media.
Documentary Film Festivals Vol. 1
This book provides the first comprehensive overview of the global landscape of documentary film festivals. Contributors from across the globe offer in-depth analysis of both internationally renowned and more alternative festivals, including Hot Docs (Canada), Nyon (Switcherland), Yamagata (Japan), DocChina, Full Frame (US), Belgrade (former Yugoslavia), Vikalp (India), and DocsBarcelona (Catalonia, Spain), among others. With a special focus on historical and political developments, this first volume draws a map of documentary festivals operating today, and then looks at their origins and evolution. This volume is organized in three sections: the first addresses methodological problems film h...
