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America has no official royalty by design. Yet there have been the Roosevelts, the Adams, the Bushes, the wanabee Clintons and most intriguing of all -- the Kennedys. The Kennedys have so far only reached the presidency once but the assassination of JFK and his brother Robert, and the trials and tribulations of the family members and society in general continue to fascinate the world. This new book presents more than 1200 citations of books and related materials arranged by family member. The accompanying CD-ROM offers ready access and easy searching.
This ten-year supplement lists 10,000 titles acquired by the Library of Congress since 1976--this extraordinary number reflecting the phenomenal growth of interest in genealogy since the publication of Roots. An index of secondary names contains about 8,500 entries, and a geographical index lists family locations when mentioned.
Mr. Smith has rescued from obscurity all references to individuals as can be found in the early statutes of Kentucky, producing, in effect, the Kentucky equivalent of Personal Names in Hening's Statutes at Large of Virginia. For each of the 5,000 persons named in this index, there is provided an identifying piece of information, such as occupation, legal status, relationship, etc., as well as the volume and page number in "Littell's Laws" where the name originally appears.This volume is also available on our Family Archive CD 7519.
Ancestry of the author's only grandchild, Alison Cannady. She was born in 1971 at Salem, Oregon, the daughter of Michael Reid and Catherine Alice Moehring Cannady. Michael Reid Cannady was born in 1942 at Vancouver, Washington, the son of Bruce Barnes Cannady (b. 1912) and Pauline Elizabeth Pinske Cannady (b. 1909). He married Catherine Alice Moehring in 1967 at Braunfels, Texas. She was born in 1943 at Hondo, Texas, the daughter of Wesley Lee Moehring (b. 1921) and Patricia LaNelle Blalack Moehring (b. 1922).
Includes entries for maps and atlases.
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The life and times of one of our most enchanting artists; a twentieth-century fairy tale, lovingly remembered and luminously told. Fourteen years ago, the artist Dorothea Tanning published Birthday, a collection of reminiscences. Now she has expanded it into a memoir of her journey through the last century as confidant, collaborator, and muse to some of its most inspired minds and personalities: a diverse assemblage that ranges from the fathers of dada and surrealism to Virgil Thompson, George Balanchine, Alberto Giacometti, Dylan Thomas, Truman Capote, Joan MirĂ³, James Merrill, and many more. At its center is the relationship, tenderly rendered, between Tanning and her famed husband, the enigmatic surrealist Max Ernst. Whether recalling the poignant presence of her friend Joseph Cornell or simply marveling at the facades along a Venice canal, "their filmy reflections fluttering in the dirty canal like fragile altar cloths hung out to dry," Tanning's writing is beguiling, wry, and shot through with the same eye for pregnant detail and immanent magic that marks her art.
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