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When the Whalers Were Up North
The author tells a story drawn from oral memories, a story which will soon disappear with the last Inuit generation to have seen the whalers. Illuminated by a remarkable collection of drawings, photographs, and illustrations, many in full colour, tales are told of when the whalers first appeared on the north-east coast of Baffin Island, how they set up land stations in the whale-rich waters of Cumberland Sound, and how they eventually pushed on into Hudson Bay. During this time the Inuit not only fed and clothed the whalers, they hunted with them, adding to the whalers' wealth. Our understanding of change in Inuit life is often linked to the fur traders, who arrived in the North fifty years after the arrival of the whalers. In truth it is the Inuit's close contact with the foreign world of the whalers which marked the beginning of a change in previously undisturbed Inuit culture and traditions.
Encounters on the Passage
In Encounters on the Passage, present day Inuit tell the stories that have been passed down from their ancestors of the first encounters with European explorers.
Pisiulak
This is an illustrated oral biography created from recorded interviews by Dorothy Harley Eber in 1970. In these interviews, and through her drawings and prints, Pitseolak makes what Inuit call the old way come alive, reflecting on life on the land, its pleasure and trials. Her story later became an NFB animated documentary. This second edition, appearing more than 30 years after the first, contains additional drawings and prints by Pitseolak Ashoona and a new introduction by Eber that provides more information about the artist and the circumstances under which her groundbreaking oral biography came about. Pitseolak Ashoona, who died in 1983, was known for lively prints and drawings showing the things we did long ago before there were many white men and for imaginative renderings of spirits and monsters. She began creating prints in the late 1950s after James Houston started printmaking experiments at Cape Dorset, creating several thousand images of traditional Inuit life. Pitseolak Ashoona was elected a member of the Royal Canadian Academy of Arts in 1974 and was also a member of the Order of Canada.
Pitseolak
This new edition, appearing more than thirty years after the first, contains additional drawings and prints by Pitseolak Ashoona and a new introduction by Eber that provides more information about the artist and the circumstances under which her groundbreaking oral biography came about. Pitseolak Ashoona, who died in 1983, was known for lively prints and drawings showing "the things we did long ago before there were many white men" and for imaginative renderings of spirits and monsters. She began creating prints in the late 1950s after James Houston started printmaking experiments at Cape Dorset, creating several thousand images of traditional Inuit life. Pitseolak Ashoona was elected a member of the Royal Canadian Academy of Arts in 1974 and was also a member of the Order of Canada.
Inuit Art
Inuit--sometimes referred to as Eskimo--art is the primary art form of Canada and has a large international following, particularly in the United States, Japan, and Germany. Despite its popularity, the complete history of Inuit art has never been presented. This is the first chronological synthesis of Inuit art, following its development from prehistory, through early American and European exploration, to the recognition of Inuit art as a commercial possibility, and up to the present. There is a particular emphasis on contemporary art and artists, and the years 1950 through 1997 are each given separate, detailed treatment in regard to important shows and events. This history is appropriate both for the beginning admirer of Inuit art and for those already well immersed in it.
An Annotated Bibliography of Inuit Art
Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.
Northern Voices
Inuit of northern Canada have a rich oral tradition in their ancient languages and a more recent tradition of written English. Penny Petrone traces the two paths that link the cultural past of arctic peoples with its expression in the present day. The book's first section includes traditional legends, myths, folk history told by native story-tellers, and poetry sung by Inuit composers. The second presents statements and observations by some of the first Inuit to come into contact with European newcomers, including official reports, interviews, letters, and diaries. Next are early poetry and prose in translation, much of it autobiographical. The final section includes contemporary Inuit writing, from essays and speeches to fiction, poetry, and other genres of imaginative literature. The editor has provided an introduction for each item and arranged the material chronologically to give historical perspective and continuity to the whole.
Art Et Architecture Au Canada
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Fear of a Black Nation
In the 1960s, Montreal was a hotbed of radical politics that attracted Black and Caribbean figures such as C.L.R. James, Walter Rodney, Mariam Makeba, Stokely Carmichael, Rocky Jones, and Édouard Glissant. It was also a place where the ideas of Frantz Fanon, Aimé Césaire, and Malcolm X circulated alongside those of Karl Marx, Jean-Paul Sartre, and Simone de Beauvoir. During this period of global upheaval and heightened Canadian and Quebec nationalism, Montreal became a central site of Black and Caribbean radical politics. Situating Canada within the Black radical tradition and its Caribbean radical counterpart, Fear of a Black Nation paints a history of Montreal and the Black activists wh...
Something New in the Air
"A powerful, timely and much-needed reminder of what can be achieved when community needs, government policy, and technological resources are aligned." Meridian
