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"I've always enjoyed Dorothy Weil's novels with their salty depictions of midwestern life. LOVE AND TERROR is Weil's best to date, gritty, suspenseful, humorous and wise." Stephen Birmingham, author of OUR CROWD and over twenty best-selling novels and social histories. In LOVE AND TERROR a family battles with illness, war, and tumultous cultural changes. Every reader will recognize incidents and attitudes in their own lives. The novel is infused with sharp insight, sharp repartee, sharp humor, and beautifully developed characters. Read it! You will be reminded and rewarded in ways you never contemplated." Ceil Cleveland, author of WHATEVER HAPPENED TO JACY FARROW? THE BLUEBOOK SOLUTION and SHORT STORIES UNZIPPED. Founding editor of COLUMBIA MAGAZINE.
"I've always enjoyed Dorothy Weil's novels with their salty depictions of midwestern life. LOVE AND TERROR is Weil's best to date, gritty, suspenseful, humorous and wise." --Stephen Birmingham, author of OUR CROWD and over twenty best-selling novels and social histories. "In LOVE AND TERROR a family battles with illness, war, and tumultous cultural changes. Every reader will recognize incidents and attitudes in their own lives. The novel is infused with sharp insight, sharp repartee, sharp humor, and beautifully developed characters. Read it! You will be reminded and rewarded in ways you never contemplated." --Ceil Cleveland, author of WHATEVER HAPPENED TO JACY FARROW? THE BLUEBOOK SOLUTION and SHORT STORIES UNZIPPED. Founding editor of COLUMBIA MAGAZINE.
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
In North America between 1894 and 1930, the rise of the “New Woman” sparked controversy on both sides of the Atlantic and around the world. As she demanded a public voice as well as private fulfillment through work, education, and politics, American journalists debated and defined her. Who was she and where did she come from? Was she to be celebrated as the agent of progress or reviled as a traitor to the traditional family? Over time, the dominant version of the American New Woman became typified as white, educated, and middle class: the suffragist, progressive reformer, and bloomer-wearing bicyclist. By the 1920s, the jazz-dancing flapper epitomized her. Yet she also had many other fac...
Our Sister Editors is the first book-length study of Sarah J. Hale's editorial career. From 1828 to 1836 Hale edited the Boston-based Ladies' Magazine and then from 1837 to 1877 Philadelphia's Godey's Lady's Book, which on the eve of the Civil War was the most widely read magazine in the United States, boasting more than 150,000 subscribers. Hale reviewed thousands of books, regularly contributed her own fiction and poetry to her magazines, wrote monthly editorials, and published the works of such writers as Nathaniel Hawthorne, Edgar Allan Poe, Harriet Beecher Stowe, and Lydia Sigourney. Okker successfully relates Hale's contributions both to debates about the status of women and to the dev...
"[An] elucidating cultural history of Hollywood’s most popular child star…a must-read." —Bill Desowitz, USA Today For four consecutive years she was the world’s box-office champion. With her image appearing in periodicals and advertisements roughly twenty times daily, she rivaled FDR and Edward VIII as the most photographed person in the world. Her portrait brightened the homes of countless admirers, among them J. Edgar Hoover, Andy Warhol, and Anne Frank. Distinguished cultural historian John F. Kasson shows how, amid the deprivation and despair of the Great Depression, Shirley Temple radiated optimism and plucky good cheer that lifted the spirits of millions and shaped their collective character for generations to come.
Cincinnati Magazine taps into the DNA of the city, exploring shopping, dining, living, and culture and giving readers a ringside seat on the issues shaping the region.
Introduction: the literary museum and the unsettling of the early American novel -- American spectators, tatlers, and guardians: transatlantic periodical culture in the eighteenth century -- The American magazine in the early national period: publishers, printers, and editors -- The American magazine in the early national period: readers, correspondents, and contributors -- The early American magazine in the nineteenth century: Brown, Rowson, and Irving -- Conclusion: what happened next.