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The new M+ museum of modern and contemporary visual culture will open its permanent new home in the West Kowloon Cultural District of Hong Kong in the autumn of 2021. Designed by Herzog & de Meuron, the building is set to become a striking landmark on the waterfront of Hong Kong's Victoria Harbour. But even before the new building opened, M+ has been busy engaging with local and international audiences through a broad range of programmes and exhibitions and a strategic approach to collecting. The opening of M+'s new home is undoubtedly a milestone in the institution's ongoing story, yet it also marks an important moment to reflect on its development to date. The Making of M+ is an immersive ...
Catalog of an exhibition held at the Museum of Modern Art, New York, Nov. 18, 2012-Feb. 25, 2013.
Edited and with text by Doryun Chong. Text by Mike Kelley, Hiroko Kudo.
Expanding the Center: Walker Art Center and Herzog & de Meuron~ISBN 0-935640-84-3 U.S. $34.95 / Paperback, 6.5 x 9.25 in. / 256 pgs / 225 color and 25 b&w. ~Item / Available / Architecture
Introduction: I wish I knew how it would feel to be free -- Nina Simone and the work of minoritarian performance -- Searching for Danh V's mother -- The Marxism of Felix Gonzalez-Torres -- Entanglements: Eiko's a body in a station -- Tseng Kwong Chi and the party's end -- Epilogue: 6E
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During the 1960s a group of young artists in Japan challenged official forms of politics and daily life through interventionist art practices. William Marotti situates this phenomenon in the historical and political contexts of Japan after the Second World War and the international activism of the 1960s. The Japanese government renewed its Cold War partnership with the United States in 1960, defeating protests against a new security treaty through parliamentary action and the use of riot police. Afterward, the government promoted a depoliticized everyday world of high growth and consumption, creating a sanitized national image to present in the Tokyo Olympics of 1964. Artists were first to c...
A richly illustrated companion to selected works from the collections at M+, Hong Kong’s new museum of 20th-and 21st-century visual culture. M+, Hong Kong’s new museum of contemporary visual culture, opens in 2021. Its varied collections include more than 6,000 works and objects from the worlds of visual art, moving image, and design and architecture; more than 1,500 works of contemporary Chinese art from the M+ Sigg Collection; the M+ Collection Archives, comprising some 45,000 items; and the M+ Library Special Collection. M+ Collections: Highlights presents the work of more than 300 artists, designers, film-makers, photographers, and architects, specially selected to represent the coll...
This is the story of a Chinese doctor, his book, and the creatures that danced within its pages. The Monkey and the Inkpot introduces natural history in sixteenth-century China through the iconic Bencao gangmu (Systematic materia medica) of Li Shizhen (1518 - 1593). In the first book-length study in English of Li's text, Carla Nappi reveals a "cabinet of curiosities" of gems, beasts, and oddities whose author was devoted to using natural history to guide the application of natural and artificial objects as medical drugs.
In Anarchy of the Body, art historian KuroDalaiJee sheds light on vital pieces of postwar Japanese avant-garde history by contextualizing the social, cultural, and political trajectories of artists across Japan in the 1960s. A culmination of years of research, Anarchy of the Body draws on an extensive breadth of source material to reveal how the practice of performance by individual artists and art groups during this period formed a legacy of resistance against institutionalization, both within the art world and more broadly in Japanese society. This book contains 256 high-quality reproductions, including rare performance photographs not readily accessible elsewhere, as well as a comprehensi...