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Wild Lines and Poetic Travels
This volume of essays and translations analyzes the prodigious and wide-ranging output of Keijiro Suga. Based in Japan, Keijiro Suga's works are wide-ranging and multilingual. His volumes of poetry have been shortlisted for a range of poetry prizes, and he was awarded the 2011 Yomiuri Shinbun Prize for Travel writing. He has translated dozens of books and has authored or co-authored more than fifteen other books across various genres. He is, by his own introduction, a poet first, but is also a prolific book reviewer, an astute theorist, and an insightful critic. His presence and contributions have been profound in many countries around the globe.
Wild Lines and Poetic Travels
This volume brings together an international group of scholars, artists, and translators to analyze Suga Keijiro's multifaceted work.
Tawada Yoko
This collection draws from scholars across different languages to address and assess the scholarly achievements of Tawada Yōko. Yōko, born in Japan (1960) and based in Germany, writes and presents in both German and Japanese. The contributors of this volume recognize her as one of the most important contemporary international writers. Her published books alone number more than fifty volumes, with roughly the same number in German and Japanese. Tawada’s writing unfolds at the intersections of borders, whether of language, identity, nationality, or gender. Her characters are all travelers of some sort, often foreigners and outsiders, caught in surreal in-between spaces, such as between lan...
Literary Mischief
Sakaguchi Ango (1906-1955) was a writer who thrived on iconoclasm and agitation. He remains one of the most creative and stimulating thinkers of twentieth-century Japan. Ango was catapulted into the public consciousness in the months immediately following Japan's surrender to the Allied Forces in 1945. The energy and iconoclasm of his writings were matched by the outrageous and outsized antics of his life. Behind that life, and in the midst of those tumultuous times, Ango spoke with a cutting clarity. The essays and translations included in Literary Mischief probe some of the most volatile issues of culture, ideology, and philosophy of postwar Japan. Represented among the essayists are some ...
Sacred Cesium Ground and Isa's Deluge
In these two novellas, Kimura Yūsuke explores human and animal life in northern Japan after the natural and nuclear disasters of March 11, 2011. Kimura inscribes the “Triple Disaster” into a rich regional tradition of storytelling, incorporating far-flung voices and experiences to testify to life and the desire to represent it in the aftermath of calamity. In Sacred Cesium Ground, a woman from Tokyo travels to volunteer at a cattle farm known as the “Fortress of Hope,” tending irradiated animals abandoned after the reactor meltdown. The farm closely resembles an actual ranch that has been widely covered in Japan, and the story’s portrayal of those who stubbornly care for anima...
Living Transnationally between Japan and Brazil
Based on over two years of participant-observation in labor brokerage firms, factories, schools, churches, and people’s homes in Japan and Brazil, Sarah LeBaron von Baeyer presents an ethnographic portrait of what it means in practice to “live transnationally,” that is, to contend with the social, institutional, and aspirational landscapes bridging different national settings. Rather than view Japanese-Brazilian labor migrants and their families as somehow lost or caught between cultures, she demonstrates how they in fact find creative and flexible ways of belonging to multiple places at once. At the same time, the author pays close attention to the various constraints and possibilities that people face as they navigate other dimensions of their lives besides ethnic or national identity, namely, family, gender, class, age, work, education, and religion
Theorizing Post-Disaster Literature in Japan
This seminal book is the first sustained critical work that engages with the varieties of literature following the triple disasters—the earthquake, tsunami, and meltdowns at the Fukushima nuclear plant.
The Body in Postwar Japanese Fiction
This book explores one of the crucial themes in postwar Japanese fiction. Through an examination of the work of a number of prominent twentieth century Japanese writers, the book analyses the meaning of the body in postwar Japanese discourse, the gender constructions of the imagery of the body and the implications for our understanding of individual and national identity. This book will be of interest to all students of modern Japanese literature.
Horses, Horses, in the End the Light Remains Pure
"As we passed from the city center into the Fukushima suburbs I surveyed the landscape for surgical face masks. I wanted to see in what ratios people were wearing such masks. I was trying to determine, consciously and unconsciously, what people do in response. So, among people walking along the roadway, and people on motorbikes, I saw no one with masks. Even among the official crossing guards outfitted with yellow flags and banners, none. All showed bright and calm. What was I hoping for exactly? The guilty conscience again. But then it was time for school to start. We began to see groups of kids on their way to school. They were wearing masks." Horses, Horses, in the End the Light Remains P...
Truth from a Lie
Critics typically regard Abe Kobo (1924-93) as writing against realism, due to his avant-garde aesthetics that challenged the Naturalist realism dominating the literary mainstream and the Socialist realism of the orthodox Left in postwar Japan. He considered his work thoroughly realist, however, and starting in the early 1950s in a series of avant-garde art and literary groups, he championed the possibility of a vital, contemporary realism that challenged the reader to question the "reality" represented in the text through increasingly self-conscious writing strategies. Through a reassessment of the texts in which he worked out his theory of realism, this study traces the development of his ...
