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Visible Visions
  • Language: en
  • Pages: 172

Visible Visions

  • Type: Book
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  • Published: 1984
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  • Publisher: Unknown

None

Lyric/anti-lyric
  • Language: en
  • Pages: 302

Lyric/anti-lyric

The very best of Barbourrsquo;s criticism over the past two decades.

Tesseracts
  • Language: en
  • Pages: 310

Tesseracts

  • Type: Book
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  • Published: 1985
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  • Publisher: Unknown

"Enter a shadow of the fourth dimension where... a law enforcer's daily tasks include encounters with Maoclavers, Libglibs, Nude Druids and the dreaded 'terminal cancer'... A woman builds the ultimate man for her friend--but decides to keep him for herself... An 'artifact' returns to meet her maker--who is also her mother... After the Big Sweep, humans are tamed with greendelight, multicoloured munchies, doublewhammies and nocturnal orgies in the Park at the end of the boulevard..."--Pg. [4] of cover.

Doug Barbour
  • Language: en

Doug Barbour

  • Type: Book
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  • Published: 2001
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  • Publisher: Unknown

None

An Etymological Dictionary of the Scottish Language
  • Language: en
  • Pages: 456

An Etymological Dictionary of the Scottish Language

  • Type: Book
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  • Published: 1818
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  • Publisher: Unknown

None

The Pirates of Pen's Chance
  • Language: en
  • Pages: 184

The Pirates of Pen's Chance

None

Barbour's Bruce and Its Cultural Contexts
  • Language: en
  • Pages: 258

Barbour's Bruce and Its Cultural Contexts

Fresh approaches to one of the most important poems from medieval Scotland. John Barbour's Bruce, an account of the deeds of Robert I of Scotland (1306-29) and his companions during the so-called wars of independence between England and Scotland, is an important and complicated text. Composed c.1375 during the reign of Robert's grandson, Robert II, the first Stewart king of Scotland (1371-90), the poem represents the earliest surviving complete literary work of any length produced in "Inglis" in late medieval Scotland, andis usually regarded as the starting point for any worthwhile discussion of the language and literature of Early Scots. It has also been used as an essential "historical" so...

Continuations
  • Language: en
  • Pages: 132

Continuations

"The strength of this book is in its quick-change artistry, the sensation of flux that is continuous, and capable at any moment of erupting into epiphany or surprise." Roo Borson Across great distances and a panorama shaped by words, poets Douglas Barbour and Sheila Murphy began writing in collaboration. Tapped to technology's dance across paper, with thoughts like bright colours coursing across screens, Continuations emerged as the product of a new creator, a "third individual," who writes differently from either poet. Words shapeshifted and poets transformed, Continuations is an intriguing addition to the growing field of collaborative poetry in North American literature.

Chivalry and Knighthood in Scotland, 1424-1513
  • Language: en
  • Pages: 248

Chivalry and Knighthood in Scotland, 1424-1513

This work considers how chivalry was interpreted in 15th century Scotland and how it compared with European ideas of chivalry; the resposibilities of knighthood in this period and the impact on political life; the chivalric literature and the relevance of Christian components of chivalric culture.

Continuations 2
  • Language: en
  • Pages: 146

Continuations 2

"Most long poems contain lyric occasions. Here is an amazingly sustained lyric that contains traces of other commodities." -Robert Kroetsch Sheila Murphy and Douglas Barbour extend their singular poetic vision of that elusive third I/eye in Continuations 2. The new lyric voice sustained (within) these labyrinthine verses does so by virtue of its authors' pitch-perfect collaborative process. For ten years they have kept their song alive via email, pulsing jazz-like variations and haunting repetitions back and forth from Arizona to Alberta, all the while adhering to that taut stanza of six lines. Readers who admire Barbour and Murphy's past innovations, or any poetry that gracefully exceeds its reach, will enjoy Continuations 2.