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Douglas Huebler
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Variable Piece 4
Contains nearly 1,800 "secrets" collected at the Software exhibition at the Jewish Museum, New York City, Sept. 16 - Nov. 8, 1970.
Conceptual Art and the Politics of Publicity
An examination of the origins and legacy of the conceptual art movement.
Douglas Huebler
None
Words to Be Looked At
A critical study of the use of language and the proliferation of text in 1960s art and experimental music, with close examinations of works by Vito Acconci, Carl Andre, John Cage, Douglas Huebler, Andy Warhol, Lawrence Weiner, La Monte Young, and others. Language has been a primary element in visual art since the 1960s—in the form of printed texts, painted signs, words on the wall, recorded speech, and more. In Words to Be Looked At, Liz Kotz traces this practice to its beginnings, examining works of visual art, poetry, and experimental music created in and around New York City from 1958 to 1968. In many of these works, language has been reduced to an object nearly emptied of meaning. Robe...
Duration Piece #8
None
Variable Piece #101
Tiré du site de l'éditeur: "On December 17, 1972 a photograph was made of Bernd Becher at the instant almost exactly after he had been asked to "look like" a pirest, a criminal, a lover, an old man, a pliceman, an artist, "Bernd Becher", a philosopher, a spa and a "nice guy", in that order. To make it almost impossible for Becher to remember his own "faces" more than two months were allowed to pass before prints of the photographs were sent to him ; the photographs were numbered differently from the original sequence and Becher was asked to make the "correct" associations with the given verbal terms."
Douglas Huebler
Published by PJC on the occasion of the exhibition, _Douglas Huebler: Works from the 1960s_, Paula Cooper Gallery, New York, October 14¿¿¿November 18, 2017.With and essay by Ann Goldstein. Reprinted from the catalogue for the exhibition ¿A Minimal Future? Art as Object 1958¿1968¿ organized by Ann Goldstein and presented at The Museum of Contemporary Art, Los Angeles, March 14 - August 2, 2004. Reprinted with permission from Ann Goldstein and The Museum of Contemporary Art, Los Angeles.
Conceptual Art
This landmark anthology collects for the first time the key historical documents that helped give definition and purpose to the conceptual art movement. Compared to other avant-garde movements that emerged in the 1960s, conceptual art has received relatively little serious attention by art historians and critics of the past twenty-five years—in part because of the difficult, intellectual nature of the art. This lack of attention is particularly striking given the tremendous influence of conceptual art on the art of the last fifteen years, on critical discussion surrounding postmodernism, and on the use of theory by artists, curators, critics, and historians. This landmark anthology collect...
Seth Siegelaub
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