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Eight leading contemporary interpreters of Classical Greek tragedy here explore its relation to the thought of the Archaic Period. Prominent topics are the nature and possibility of divine justice; the influence of the gods on humans; fate and human responsibility; the instability of fortune and the principle of alternation; hybris and ate; and the inheritance of guilt and suffering. Other themes are tragedy's relation with Pre-Socratic philosophy, and the interplay between 'Archaic' features of the genre and fifth-century ethical and political thought. The book makes a powerful case for the importance of Archaic thought not only in the evolution of the tragic genre, but also for developed features of the Classical tragedians' art. Along with three papers on Aeschylus, four on Sophocles, and one on Euripides, there is an extensive introduction by the editor.
Introduction; Aidos in Homer; From Hesiod to the Fifth Century; Aeschylus; Sophocles; Euripides; The Sophists, Plato, and Aristotle; References; Glossary; Index of Principal Passages; General Index.
"The papers in this volume all derive from the conference, 'Emotions in the Classical World: Methods, Approaches, and Directions', held at the Fondation Hardt, Vandoeuvres, 2-4 May, 2013" --Page 7.
Introduction; Aidos in Homer; From Hesiod to the Fifth Century; Aeschylus; Sophocles; Euripides; The Sophists, Plato, and Aristotle; References; Glossary; Index of Principal Passages; General Index.
This anthology of 16 seminal studies of Homer's Iliad offers essential insights into the poem's artistry and cultural background. An authoritative introduction sets the papers in context and explores significant connections between them.
A distinguished cast of scholars discusses models of gesture and non-verbal communication as they apply to Greek and Roman culture, literature and art. Topics include dress and costume in the Homeric poems; the importance of looking, eye-contact, and face-to-face orientation in Greek society; the construction of facial expression in Greek and Roman epic; the significance of gesture and body language in the visual meaning of ancient sculpture; the evidence for gesture and performance style in the texts of ancient drama; the erotic significance of feet and footprints; and the role of gesture in Roman law. The volume seeks to apply a sense of history as well as of theory in interpreting non-verbal communication. It looks both at the cross-cultural and at the culturally specific in its treatment of this important but long-neglected aspect of Classical Studies.
'A Cultural history of the Emotions' explores how emotions have changed over the course of human history, as well as how emotions have themselves created and changed history. Emotions underpin our everyday lives and shape our mental, physical and social well-being.
Greek tragedy occupies a prominent place in the development of early Greek thought. However, even within the partial renaissance of debates about tragedy’s roots in the popular thought of archaic Greece, its potential connection to the early philosophical tradition remains, with few exceptions, at the periphery of current interest. This book aims to show that our understanding of Aeschylus’ Oresteia is enhanced by seeing that the trilogy’s treatment of Zeus and Justice (Dikê) shares certain concepts, assumptions, categories of thought, and forms of expression with the surviving fragments and doxography of certain Presocratic thinkers (especially Anaximander, Xenophanes, Heraclitus, an...
This book is the first in-depth comparative analysis of envy, jealousy, and vengefulness experienced by divine personalities in the Hebrew Bible and ancient Greek texts and the functions served by attributing negative emotions and traits to one’s gods. Readers are informed about the vigorous debates concerning the nature of emotion, a field with rapidly growing interest, including the specific emotions of envy, jealousy, and vengefulness. The book charts the complex, multi-faceted presentation of divine beings in the Hebrew Bible and ancient Greek literature, including their negative emotions. While the detailed readings of key biblical and Greek texts can stand on their own, Lasine’s co...
The Homeric epics and the Book of Songs are not just the fountainheads of the Western and Chinese literary traditions; for centuries they played a central role in education and communal life, and thus exercised a lasting influence on both civilizations. This volume presents the first systematic comparison of the two corpora. Part One analyzes their genesis and their reception, while Part Two discusses their characteristics as poetic creations. The book brings together Chinese and Western sinologists and classicists, and so promotes significant interdisciplinary and intercultural dialogue. Though the contributors rank among the leading experts in their fields, the essays here are accessible not only to their peers, but also to the interested ‘general reader’, and so to all those who seek a deeper understanding of Chinese and Western civilizations, their common human basis and their characteristic differences.