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Every California schoolchild's first interaction with history begins with the missions and Indians. It is the pastoralist image, of course, and it is a lasting one. Children in elementary school hear how Father Serra and the priests brought civilization to the groveling, lizard- and acorn-eating Indians of such communities as Yang-na, now Los Angeles. So edified by history, many of those children drag their parents to as many missions as they can. Then there is the other side of the missions, one that a mural decorating a savings and loan office in the San Fernando Valley first showed to me as a child. On it a kindly priest holds a large cross over a kneeling Indian. For some reason, though,...
"A detailed, rich, and engaging text on Mexicans in Los Angeles, from the turn of the century, when their presence was virtually unacknowledged, to the 1930s, when Mexican communities created a significant presence in the city. Monroy's book offers a sweeping narrative that carries you into Los Angeles and beyond, through a discussion of immigration pathways, work lives, and the popular culture of the immigrants and the first generation youth."—Lisbeth Haas, author of Conquests and Historical Identities in California, 1769-1936
Celebrating the 150th birthday of the state of California offers the opportunity to reexamine the founding of modern California, from the earliest days through the Gold Rush and up to 1870. In this four-volume series, published in association with the California Historical Society, leading scholars offer a contemporary perspective on such issues as the evolution of a distinctive California culture, the interaction between people and the natural environment, the ways in which California's development affected the United States and the world, and the legacy of cultural and ethnic diversity in the state. California before the Gold Rush, the first California Sesquicentennial volume, combines top...
From the California Indians who labored in the Spanish missions to the immigrant workers on Silicon Valley's high-tech assembly lines, California's work force has had a complex and turbulent past, marked by some of the sharpest and most significant battles fought by America's working people. This anthology presents the work of scholars who are forging a new brand of social history—one that reflects the diversity of California's labor force by paying close attention to the multicultural and gendered aspects of the past. Readers will discover a refreshing chronological breadth to this volume, as well as a balanced examination of both rural and urban communities. Daniel Cornford's excellent g...
Throughout its history, the nation that is now called the United States has been inextricably entwined with the nation now called Mexico. Indeed, their indigenous peoples interacted long before borders of any kind were established. Today, though, the border between the two nations is so prominent that it is front-page news in both countries. Douglas Monroy, a noted Mexican American historian, has for many years pondered the historical and cultural intertwinings of the two nations. Here, in beautifully crafted essays, he reflects on some of the many ways in which the citizens of the two countries have misunderstood each other. Putting himself— and his own quest for understanding—directly ...
A transnational social history of immigrant-group involvement in radical activities in nineteenth- and twentieth-century America that provides missing links between the immigration experience, the neighborhood, the workplace, politics, and culture.
Whether they prefer blockbusters, historical dramas, or documentaries, people learn much of what they know about history from the movies. In American History Goes to the Movies, W. Bryan Rommel-Ruiz shows how popular representations of historic events shape the way audiences understand the history of the United States, including American representations of race and gender, and stories of immigration, especially the familiar narrative of the American Dream. Using films from many different genres, American History Goes to the Movies draws together movies that depict the Civil War, the Wild West, the assassination of JFK, and the events of 9/11, from The Birth of a Nation and Gone with the Wind to The Exorcist and United 93, to show how viewers use movies to make sense of the past, addressing not only how we render history for popular enjoyment, but also how Hollywood’s renderings of America influence the way Americans see themselves and how they make sense of the world.
Ideas defer to no border—least of all the idea of belonging. So where does one belong, and what does belonging even mean, when a border inscribes one’s identity? This dilemma, so critical to the ethnic Mexican community, is at the heart of Homeland, an intellectual, cultural, and literary history of belonging in ethnic Mexican thought through the twentieth century. Belonging, as Aaron E. Sánchez’s sees it, is an interwoven collection of ideas that defines human connectedness and that shapes the contours of human responsibilities and our obligations to one another. In Homeland, Sánchez traces these ideas of belonging to their global, national, and local origins, and shows how they hav...
"This magnificent book, the fruit of a decade of original research, is a landmark in Los Angeles's difficult conversation with its past. Deverell brilliantly exposes the white lies and racial deceits that have for too long reigned as municipal 'history.'"—Mike Davis
Michael Innis-Jiménez is a native of Laredo, Texas and Assistant Professor in the Department of American Studies at the University of Alabama. He lives in Tuscaloosa where he working on his next book on Latino/a immigration to the American South. In the Culture, Labor, History series