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When the great Finnish modernist genius Volter Kilpi died in the summer of 1939 at the age of 64, he left behind an unfinished novel manuscript about Lemuel Gulliver’s fifth voyage—this one supposedly to the North Pole, though along the way the ship is sucked into a vortex near the Pole and hurtled two centuries ahead in time. He and three surviving shipmates end up in London in 1938, wondering how to get back to their time. In addition to translating what Kilpi wrote into Swiftian English, Douglas Robinson has here written the incomplete novel to the end, based on Kilpi’s report to his son on how he planned to return the men to 1738. Because Kilpi also playfully pretended to have “f...
Arising from cultural anthropology in the late 1980s and early 1990s, postcolonial translation theory is based on the observation that translation has often served as an important channel of empire. Douglas Robinson begins with a general presentation of postcolonial theory, examines current theories of the power differentials that control what gets translated and how, and traces the historical development of postcolonial thought about translation. He also explores the negative and positive impact of translation in the postcolonial context, reviewing various critiques of postcolonial translation theory and providing a glossary of key words. The result is a clear and useful guide to some of the most complex and critical issues in contemporary translation studies.
This user-friendly introduction to a new ‘performative’ methodology in linguistic pragmatics breaks away from the traditional approach which understands language as a machine. Drawing on a wide spectrum of research and theory from the past thirty years in particular, Douglas Robinson presents a combination of ‘action-oriented approaches’ from sources such as J.L. Austin, H. Paul Grice, Harold Garfinkel and Erving Goffman. Paying particular attention to language as drama, the group regulation of language use, individual resistance to these regulatory pressures and nonverbal communication, the work also explains groundbreaking concepts and analytical models. With a key points section, discussion questions and exercises in every chapter, this book will be an invaluable resource to students and teachers on a variety of courses, including linguistic pragmatics, sociolinguistics and interpersonal communication.
Despite landmark works in translation studies such as George Steiner's After Babel and Eugene Nida's The Theory and Practice of Translation, most of what passes as con-temporary "theory" on the subject has been content to remain largely within the realm of the anecdotal. Not so Douglas Robinson's ambitious book, which, despite its author's protests to the contrary, makes a bid to displace (the deconstructive term is apposite here) a gamut of earlier cogitations on the subject, reaching all the way back to Cicero, Augustine, and Jerome. Robinson himself sums up the aim of his project in this way: "I want to displace the entire rhetoric and ideology of mainstream translation theory, which ... is medieval and ecclesiastical in origin, authoritarian in intent, and denaturing and mystificatory in effect." -- from http://www.jstor.org (Sep. 12, 2014).
Descriptive inquiry into the neurochemistry of extreme sports.
Exploring this theme, Robinson examines Plato's Ion, Philo Judaeus and Augustine on the Septuagint, Paul on inspired interpreters, Joseph Smith on the Book of Mormon, and Schleiermacher, Marx, and Heidegger on translation. He traces the imaginative and historical linkages between twentieth-century conceptions of ideology and ancient conceptions of spirit-channeling, and the performative inversion of power relations by which the "channel" (or translator) comes to wield the source author as his or her tool.
Not only examining the writings of a critically neglected American novelist of the early 20th century, this study also uses Ring Lardner both as the basis for a theoretical inquiry into language and literature, and as a study of men and masculinity at the turn of the century.
Seitsemän veljestä (The Brothers Seven), the 1870 Finnish novel by Aleksis Kivi (1834-1872), is one of the most (in)famously unknown classics of world literature—unknown not only because so few people in the world can read Finnish, but also because the novel is so incredibly difficult to translate, the Mount Everest of translating from Finnish. It is difficult to translate not only because it blends a saturation in Homer, Shakespeare, Dante, Cervantes, and the Bible with a brilliantly stylized form of local dialect, but because it is wild, grotesque, carnivalistic, and laugh-out-loud funny on every page. It has been translated 58 times into 34 languages—but somehow the translations alw...
Robinson reveals how to translate faster and more accurately, how to deal with problems and stress, and how the market works. This second edition has been revised throughout, and includes an exploration of new technologies used by translators.
Finalist for the 2020 Prose Awards (Language and Linguistics Category) The emergence of transgender communities into the public eye over the past few decades has brought some new understanding, but also renewed outbreaks of violent backlash. In Transgender, Translation, Translingual Address Douglas Robinson seeks to understand the “translational” or “translingual” dialogues between cisgendered and transgendered people. Drawing on a wide range of LGBT scholars, philosophers, sociologists, sexologists, and literary voices, Robinson sets up cis-trans dialogues on such issues as “being born in the wrong body,” binary vs. anti-binary sex/gender identities, and the nature of transition...