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The author defines and analyzes the new type of theatricalperspective invented by Samuel Beckett. She begins with an overview of thechanges of the definition of twentieth century-knowledge (e.g, art, science,philosophy, and psychology) then discusses the concepts of time, space, andmovement which underlie Beckett's notion and use of perspective in the theater.The Broken Window shows how Beckett translates a number of twentieth-centuryesthetic and philosophical concerns - the impossibility of separating subjectand object, the indeterminacy of time and space, the inevitability of movementand change - into specific dramatic techniques and traces their evolutionthrough close textual analyses of six plays. Hale is the first critic to define Beckett's theatricaltechniques in terms of the notion of perspective and to link them to similarinnovations in the plastic arts. In addition, no critic has so exhaustivelyelaborated Beckett's premises of indeterminacy, the inevitability ofperception, and the breakdown of the subject/object relationship.
Ming the Merciless wants to claim Earth as the crown jewel of his empire! His latest scheme? Teleporting a continent from his homeworld of Mongo into the Pacific Ocean, thereby unleashing its monstrous beasts into our seas and causing catastrophic tidal waves to devastate our naval defenses! It's up to Flash Gordon, the fearless daredevil who has unraveled the tyrant's previous schemes at every turn, to once again rally his friends in defense of the Earth. Join intrepid reporter Dale Arden, eccentric scientist Dr. Zarkov, Mandrake the Magician, two iterations of The Phantom, Jungle Jim, and the timelost hero Prince Valiant in the wildest adventure on this or any world!
It’s going bad. REAL bad. Quantum breaches, shifting continents, hordes of Beast-Men on the loose. But whenever all hope seems lost, MANDRAKE THE MAGICIAN always has an ace up his sleeve…
Now a major motion picture starring Kate Winslet Tilly Dunnage left her hometown of Dungatar in rural Australia under a black cloud of accusation. Years later Tilly, now a couturier for the Paris fashion houses, returns home to make amends with her mentally unstable mother. Mid-century Dungatar is a small town, and small towns have long memories. At first she wins over the suspicious locals with her extraordinary dressmaking skills. But when the eccentric townsfolk turn on Tilly for a second time, she decides to teach them a lesson and exact long-overdue revenge... Packed with memorable characters, acid humour and luscious clothes, The Dressmaker is an irresistible gothic tale of small-town revenge.