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Magical Transformations on the Early Modern English Stage
Considering a variety of questions centering on magic and, or in, performance, this volume furthers the debate about the cultural work performed by representations of magic on the early modern English stage. Collectively the essays show that the idea of transformation applies not only to the objects and subjects of magic, but that the plays themselves can be seen as working to effect transformation in the ways that they challenge contemporary assumptions and stereotypes.
Costuming the Shakespearean Stage
Although scholars have long considered the material conditions surrounding the production of early modern drama, until now, no book-length examination has sought to explain what was worn on the period's stages and, more importantly, how articles of apparel were understood when seen by contemporary audiences. Robert Lublin's new study considers royal proclamations, religious writings, paintings, woodcuts, plays, historical accounts, sermons, and legal documents to investigate what Shakespearean actors actually wore in production and what cultural information those costumes conveyed. Four of the chapters of Costuming the Shakespearean Stage address 'categories of seeing': visually based semiotic systems according to which costumes constructed and conveyed information on the early modern stage. The four categories include gender, social station, nationality, and religion. The fifth chapter examines one play, Thomas Middleton's A Game at Chess, to show how costumes signified across the categories of seeing to establish a play's distinctive semiotics and visual aesthetic.
Marvel and Artefact
Marvel and Artefact examines the three surviving manuscripts of Wonders of the East (London, BL, Cotton Vitellius A. xv; London, BL, Cotton Tiberius B. v; and Oxford, Bodleian Library, Bodley 614). After outlining the learned tradition of writing on monsters and marvels and the family of texts of which the Wonders of the East is part, A. J. Ford offers a forensic reading of each manuscript in which codex, text and image are studied together as a single artefact. By focussing on the materiality of manuscripts whose origin can only be hypothesized, this innovative and challenging work opens new vistas for the study and interpretation of medieval manuscripts and the cultures that produced them.
Proceedings and Addresses of the American Philosophical Association
List of members in v. 1-
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