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Examining the Victorian serial as a text in its own right, Catherine Delafield analyzes five novels by Elizabeth Gaskell, Anthony Trollope, Dinah Craik and Wilkie Collins in the context of periodical publication. Her book addresses the material conditions of production, illustrates the collective and collaborative creation of the text, and offers fresh readings of novels that appeared in Household Words, Cornhill Magazine, Good Words, All the Year Round and Cassell’s Magazine.
In 1957, Richard Altick's groundbreaking work The English Common Reader transformed the study of book history. Putting readers at the centre of literary culture, Altick anticipated-and helped produce-fifty years of scholarly inquiry into the ways and means by which the Victorians read. Now, A Return to the Common Reader asks what Altick's concept of the 'common reader' actually means in the wake of a half-century of research. Digging deep into unusual and eclectic archives and hitherto-overlooked sources, its authors give new understanding to the masses of newly literate readers who picked up books in the Victorian period. They find readers in prisons, in the barracks, and around the world, and they remind us of the power of those forgotten readers to find forbidden texts, shape new markets, and drive the production of new reading material across a century. Inspired and informed by Altick's seminal work, A Return to the Common Reader is a cutting-edge collection which dramatically reconfigures our understanding of the ordinary Victorian readers whose efforts and choices changed our literary culture forever.
The essays in this collection trace texts from their creation and printing through to their publication, dissemination, and collection. In doing so, they show how production processes change texts and how collectors subsequently appropriate them for their own ends. By examining the diverse activities of those involved in both textual creation and collection over a long period, these essays highlight both continuities and changes in the book trade. Taken together, this collection offers considerable new insights into many facets of the book trade, ranging from creation to consumption. This newest addition to the Print Networks series includes nineteen essays from leading book history scholars, including Mariko Nagase, Daniel Cook, Stephen Brown, Brian Hillyard, Catherine Delafield, Rob Allen, Rachel Bower, Iain Beavan, and more. The "compositors" section covers everything from The Mayor of Quinborough, published in 1661, to My Name is Salma, published in 2007. Essays on "collectors" include Dr. James Fraser, Titus Wheatcroft, Sir Walter Scott, the USA Armed Services, and more. The book is illustrated throughout in black and white. Available in the UK from The British Library.
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Dory Quillin, nineteen-years old, her white-blonde hair ruffled by the gentle breezes of a June evening, lies dead in the parking lot of a lesbian bar. Her bewildered silver-blue eyes stare beseechingly into the mind and soul of the woman who kneels beside her: LAPD homicide detective Kate Delafield. The investigation is far from a simple matter. Kate uncovers shocking facts about the brief life of the murdered young lesbian. She finds her road to the killer obstructed by Dory's uncooperative, judgmental parents, the waning interest of her own partner, and most frustrating of all, the open hostility of women who should be her allies--the lesbians who frequent the Nightwood Bar. Kate's emotional equilibrium is further disturbed by her powerful attraction to one of those women, the enigmatic Andrea Ross. Who killed Dory Quillin? And why? Accompany Kate Delafield on her electrifying, emotional journey to the answer, an answer you will never forget. A Kate Delafield Mystery Series Book 2.
LAPD Detective Kate Delafield has a new, iron-willed female lieutenant—a tough new partner who may turn out to be a much-needed ally. She also has a dangerous new case. A reclusive old man has been brutally slain at the La Brea Tar Pits. The unusual investigation could uncover the truth of humanity’s ancient past, and at the same time expose the corruption and violence of the present. And everyone involved—from an alluring scientist with a dark secret to a treacherous CIA officer with his own agenda—is suspect. With more at stake than just a pile of bones, Kate has to gather together the pieces of a timeless puzzle, and make sure they all fit—before a remorseless killer decides to make her a part of history…
Together with a list of auxiliary and cooperating societies, their officers, and other data.
Includes "Dilatory domiciles."