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Digital Research in the Study of Classical Antiquity
This book explores the challenges and opportunities presented to Classical scholarship by digital practice and resources. Drawing on the expertise of a community of scholars who use innovative methods and technologies, it shows that traditionally rigorous scholarship is as central to digital research as it is to mainstream Classical Studies. The chapters in this edited collection cover many subjects, including text and data markup, data management, network analysis, pedagogical theory and the Social and Semantic Web, illustrating the range of methods that enrich the many facets of the study of the ancient world. This volume exemplifies the collaborative and interdisciplinary nature that is at the heart of Classical Studies.
Digital Research in the Study of Classical Antiquity
This book explores the challenges and opportunities presented to Classical scholarship by digital practice and resources. Drawing on the expertise of a community of scholars who use innovative methods and technologies, it shows that traditionally rigorous scholarship is as central to digital research as it is to mainstream Classical Studies. The chapters in this edited collection cover many subjects, including text and data markup, data management, network analysis, pedagogical theory and the Social and Semantic Web, illustrating the range of methods that enrich the many facets of the study of the ancient world. This volume exemplifies the collaborative and interdisciplinary nature that is at the heart of Classical Studies.
Can’t Touch This
What are the implications of digital representation on intellectual property and ownership of cultural heritage? Are aspirations to preservation and accessibility in the digital space reconcilable with cultural sensitivities, colonized history, and cultural appropriation? This volume brings together different perspectives from academics and practitioners of Cultural Heritage, to address current debates in the digitization and other computational study of cultural artifacts. From the tension between the materiality of cultural heritage objects and the intangible character of digital models, we explore larger issues in intellectual property, collection management, pedagogical practice, inclusion and accessibility, and the role of digital methods in decolonization and restitution debates. The contributions include perspectives from a wide range of disciplines, addressing these questions within the study of the material culture of Africa, Europe, Asia, Oceania, and the Americas.
Expositio Notarum
This is the first edition of a Latin text unlike any other surviving one : at first sight an extensive, jumbled list of words with explanations, on closer inspection a window on the teaching of Latin shorthand in North Africa c. AD 400, when we find notarii, those trained in shorthand, prominently employed everywhere in state and church. The text reveals in detail how that training could relate to literary Latin and the classical Roman past. The single manuscript of it in our possession descends from a copy that must have been in Anglo-Saxon England by AD 700, and we can see how it was used for the earliest Latin glossary from that context. The edition seeks to make this story accessible both in general and in detail, with copious indices for those who may wish to consult it from various viewpoints: classical and later Latin, linguistic and historical.
Art Practice in a Digital Culture
Much as art history is in the process of being transformed by new information communication technologies, often in ways that are either disavowed or resisted, art practice is also being changed by those same technologies. One of the most obvious symptoms of this change is the increasing numbers of artists working in universities, and having their work facilitated and supported by the funding and infrastructural resources that such institutions offer. This new paradigm of art as research is likely to have a profound effect on how we understand the role of the artist and of art practice in society. In this unique book, artists, art historians, art theorists and curators of new media reflect on the idea of art as research and how it has changed practice. Intrinsic to the volume is an investigation of the advances in creative practice made possible via artists engaging directly with technology or via collaborative partnerships between practitioners and technological experts, ranging through a broad spectrum of advanced methods from robotics through rapid prototyping to the biological sciences.
Digital Scholarly Editing
This book provides an up-to-date, coherent and comprehensive treatment of digital scholarly editing, organized according to the typical timeline and workflow of the preparation of an edition: from the choice of the object to edit, the editorial work, post-production and publication, the use of the published edition, to long-term issues and the ultimate significance of the published work. The author also examines from a theoretical and methodological point of view the issues and problems that emerge during these stages with the application of computational techniques and methods. Building on previous publications on the topic, the book presents the development in digital textual scholarship without attempting to propose a new editorial approach, claiming instead that the alterations in traditional editorial practices necessitated by the use of computers impose radical changes in the way we think and manage texts, documents, editions and the public. It is of interest not only to scholarly editors, but to all involved in publishing and readership in a digital environment in the humanities.
Wolf Liebeschuetz Reflected
Wolf Liebeschuetz is one of the most distinguished, creative and best-liked of contemporary Ancient Historians. In his fifty-year career of teaching and publication Wolf, German-born and British-educated, has informed generations of scholars - collaborating, instructing, disputing and commenting on research.In this volume, coinciding with his eightieth birthday, twenty historians and archaeologists who have known Wolf as friends, colleagues and pupils acknowledge and celebrate his influence by presenting papers on topics related to his four monographs: Antioch: City and Imperial Administration in the Later Roman Empire (1972); Continuity and Change in Roman Religion (1980); Barbarians and Bi...
Jahrbuch · Year Book · Anuario 2016 - 2017
The second Year Book of the Project "Text Database and Dictionary of Classic Mayan" (https://mayadictionary.de) includes six research notes and two project reports released in 2016 and 2017. In addition to the electronic distribution format the project makes a selection of its digital resources periodically availableas an e-book and a printed volume. This web-to-print initiative is part of the project's long term preservation and information dissemination strategy, combining the traditional publication formats with digital distribution of research data.
Paul and Imperial Divine Honors
How did the imperial cult affect Christians in the Roman Empire? “Jesus is lord, not Caesar.” Many scholars and preachers attribute mistreatment of early Christians by Roman authorities to this fundamental confessional conflict. But this mantra relies on a reductive understanding of the imperial cult. D. Clint Burnett examines copious evidence—literary, epigraphic, numismatic, and archaeological—to more accurately reconstruct Christian engagement with imperial divine honors. Outdated narratives often treat imperial divine honors as uniform and centralized, focusing on the city of Rome. Instead, Burnett examines divine honors in Philippi, Thessalonica, and Corinth. While all three cit...
Digital Classics Outside the Echo-Chamber
Edited by organisers of “Digital Classicist” seminars in London and Berlin, this volume explores the impact of computational approaches to the study of antiquity on audiences other than the scholars who conventionally publish it. In addition to colleagues in classics and digital humanities, the eleven chapters herein concern and are addressed to students, heritage professionals and “citizen scientists”. Each chapter is a scholarly contribution, presenting research questions in the classics, digital humanities or, in many cases, both. They are all also examples of work within one of the most important areas of academia today: scholarly research and outputs that engage with collaborato...
