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ROMARD: Research on Medieval and Renaissance Drama, vol 50
ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario. Manuscripts are submitted to the Editor, Mario Longtin, via email at romard@romard.org. For further details, please visit the ROMARD website at www.romard.org.
ROMARD: Research on Medieval and Renaissance Drama, vol 52-53
ROMARD: Research on Medieval and Renaissance Drama is an academic journal devoted to the study of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at Western University (www.uwo.ca). For further details, please visit the ROMARD website at www.romard.org. The Ritual Life of Medieval Europe: Papers By and For C. Clifford Flanigan Guest Editor: Robert L. A. Clark Chief Editor: Mario B. Longtin Volume 52-53 is a double issue honouring the memory of C. Clifford Flanigan. It consists of the unpublished articles of Professor Flanigan, and articles in tribute by his friends and colleagues in the field.
War and Combat, 1150-1270
An investigation of the depiction of warfare in contemporary writings, in both fictional narratives and factual accounts. War and combat were significant factors in the lives of all conditions of people during the twelfth and thirteenth centuries; thousands of men, women and children prepared for, engaged in and suffered from the consequences of almost endemic armed conflict. However, while war and combat feature prominently in many of the forms of literature written at the time, the theme of warfare in some types of narrative source remains a relatively under-studied area. This book offers an investigation of the depiction of warfare in contemporary writings, in both fictional narratives an...
Mediaevalia
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Europe's Rich Fabric
Throughout human history luxury textiles have been used as a marker of importance, power and distinction. Yet, as the essays in this collection make clear, the term ‘luxury’ is one that can be fraught with difficulties for historians. Focusing upon the consumption, commercialisation and production of luxury textiles in Italy and the Low Countries during the late medieval and early modern period, this volume offers a fascinating exploration of the varied and subtle ways that luxury could be interpreted and understood in the past. Beginning with the consumption of luxury textiles, it takes the reader on a journey back from the market place, to the commercialisation of rich fabrics by an in...
The Regionalist Movement in France, 1890-1914
This is the first full academic study of the political thought of the French regionalist movement in the Belle Epoque. Julian Wright has examined the private papers of Jean Charles-Brun, founder of the Federation Regionaliste Francaise, in detail. He has rethought the conceptual basis ofregionalism through Charles-Brun's intellectual biography, showing that it penetrated the political debates of the period as a commonplace in Republican arguments about state reform. Despite the often made association of regionalism with the right, Dr Wright reveals the diversity of political viewsexpressed, and demonstrates that the connection to left-wing federalism ws emphatically present in the intellectu...
Archiv für das Studium der neueren Sprachen und Literaturen
Vols. for 1858- include "Sitzungen der Berliner Gesellschaft für das Studium der neuren Sprachen."
Love and Conflict in Medieval Drama
A detailed study of the stories dramatised in Europe before 1500.
Drama in Medieval and Early Modern Europe
Drama in Medieval and Early Modern Europe moves away from the customary conceptual framework that artificially separates ‘medieval’ from ‘early modern’ drama to explore the role of drama and spectacle in England, France, the Low Countries, Spain, Italy, Switzerland, and the German-speaking areas that now constitute Austria and Germany. This book investigates the ranges of dramatic and performative techniques and strategies that playmakers across Europe used to adapt their work to the changing contexts in which they performed, and to the changing or expanding audiences that they faced. It considers the different views expressed through drama and spectacle on shared historical events, ...
