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What is it about musical theatre that audiences find entertaining? What are the features that lead to its ability to stimulate emotional attachment, to move and to give pleasure? Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway this book explores the ways in which musical theatre reaches out to and involves its audiences. It investigates how pleasure is stimulated by vocal, musical and spectacular performances. Early discussions centre on the construction of the composed text, but then attention is given to performance and audience response. Musical theatre contains disruptions and dissonances in its multiple texts, it all...
Supplying a wealth of material from locales and a time for which few primary sources exist, Baptist Faith in Action brings to print the writings of Maria Baker Taylor (1813-1895), a strong-minded plantation mistress who spent her life in South Carolina and Florida. The granddaughter of Richard Furman, South Carolina's foremost nineteenth-century Baptist minister, Taylor was a well-educated and sophisticated member of South Carolina's second-tier planter class. She was also a most fervent Baptist. Notable for its geographical and temporal breadth, this collection of letters, diary entries, essays, and poems affords an unmatched view into the life of a woman living on the South's interior frontier during the nineteenth century. Born in Sumter County, South Carolina, Maria Baker married John Morgandollar Taylor in 1834. Throughout their marriage the couple lived on the geographical frontier, first in Beaufort District, South Carolina, and then in Marion County, Florida. The mother of thirteen children, Taylor taught her children and grandchildren at home, devoted large amounts of time to church work, and read voraciously. She also wrote voluminously, keeping diaries, exchanging letter
What is it about musical theatre that audiences find entertaining? What are the features that lead to its ability to stimulate emotional attachment, to move and to give pleasure? Beginning from the passion musical theatre performances arouse and their ubiquity in London's West End and on Broadway this book explores the ways in which musical theatre reaches out to and involves its audiences. It investigates how pleasure is stimulated by vocal, musical and spectacular performances. Early discussions centre on the construction of the composed text, but then attention is given to performance and audience response. Musical theatre contains disruptions and dissonances in its multiple texts, it all...
Gwen Ffrangcon-Davies is a paradox; a famous actress whose career spanned most of the twentieth century she is now largely forgotten. Drawing on material held in Ffrangcon-Davies's personal archive, Grime argues that the representation of the actress, on and off the stage, can be read in terms of its constructions of normative female behaviours.
This innovative account of the Gilbert and Sullivan partnership provides a unique insight into the experience of both attending and performing in the original productions of the most influential and enduring pieces of English-language musical theatre. In the 1870s, Savoy impresario Richard D’Oyly Carte astutely realized that a conscious move to respectability in a West End which, until then, had favored the racy delights of burlesque and French operetta, would attract a new, lucrative morally ‘decent’ audience. This book examines the commercial, material and human factors underlying the Victorian productions of the Savoy operas. Unusually for a book on ‘G&S’, it focuses on people and things rather than author biography or literary criticism. Examining theatre architecture, interior design, marketing, and typical audiences, as well as the working conditions and personal lives of the members of a Victorian theatre-company, ‘Respectable Capers’ explains how the Gilbert and Sullivan operas helped to transform the West End into the family-friendly ‘theatre land’ which still exists today.
Gestures of Music Theater explores examples of Song and Dance as performative gestures that entertain and affect audiences. The chapters interact to reveal the complex energies of performativity. In experiencing these energies, music theatre is revealed as a dynamic accretion of active, complex and dialogical experiences.
"Inspirational romantic suspense"--Spine.
Hidden History of a Hidden Gem LaGrange, Kentucky, was founded in 1827 with a mainline railroad track running down Main Street. Home to many farmers and industrialists, the city has a rich history and is even tied, in a way, to the Marquis de Lafayette. Join author Nancy Stearns Theiss as she details the deep history of the Kindness Capitol of Kentucky.
As the complicated relationship between music and theatre has evolved and changed in the modern and postmodern periods, music has continued to be immensely influential in key developments of theatrical practices. In this study of musicality in the theatre, David Roesner offers a revised view of the nature of the relationship. The new perspective results from two shifts in focus: on the one hand, Roesner concentrates in particular on theatre-making - that is the creation processes of theatre - and on the other, he traces a notion of ‘musicality’ in the historical and contemporary discourses as driver of theatrical innovation and aesthetic dispositif, focusing on musical qualities, metapho...