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While Christian approaches to the problem of evil have been much discussed, the issue of theodicy in Islam is relatively neglected. A Muslim Response to Evil explores new insights and viewpoints and discusses possible solutions to theodicy and the problem of evil through the early philosophy and theology ofIslam as well as through a semantic analysis of evil (sharr) in the Qur’Ä n. Reflecting on Said Nursi’s magnum opus, the Risale-i Nur Collection (Epistles of Light), Tubanur Yesilhark Ozkan puts Nursi’s theodicy into discourse with so called ’secular’ theodicy or ’anthropodicy’, supported by scholars such as Newton, Descartes, Leibniz, Spinoza, Hume, and Kant. Her study offers a fascinating new perspective on the problem of evil for scholars of comparative religion, philosophy of religion, and Islamic thought.
SHORTLISTED FOR THE PORTICO PRIZE SHORTLISTED FOR THE DIVERSE BOOK AWARDS LONGLISTED FOR THE AUTHORS’ CLUB BEST FIRST NOVEL AWARD SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD WINNER OF CALIBRE AUDIO’S ‘HIDDEN GEM’ AWARD ________
Examines the social, legal and cultural challenges navigating the boundaries of 'normal'-'problematic'-'risky' sexual behaviours among peers.
Originally published: New York: Farrar. Straus, and Giroux, 2008.
Ramon Harvey revisits the Muslim theologian Abū Manṣūr al-Māturīdī (d. 333/944) from Samarqand and puts his system, and that of the Māturīdī school, into lively dialogue with modern thought to show that a contemporary Muslim philosophical theology (kalām jadīd) can provide original and constructive answers to perennial theological questions.
A representative and wide range of Imam al-Ghazali's aphorisms with accompanying commentaries, presented in a beautiful gift format.
At the end of the twentieth century literary theorists find themselves reflecting on their discipline. Since at least 1969, the humanities and social sciences have seen the rise of Marxist critical theory, Foucault (or discourse and the new historicism), various schools of American and European cultural studies, deconstruction, and poststructuralism. One of the major coups of the last 30 years, from which all of the previously mentioned theoretical camps benefited, was the attack on and subsequent death of authorial intentionality. In, The Author's Intention co-authors DiTommaso, Mitscherling, and Nayed divert the current philosophical misrepresentation of authorial intention. Implicitly challenging a second-generation theoretical approach to literature that dismisses the possibility of truth, coherent narratives, and, of course, intentionality the authors breathe new life back into "the author" and, also, literary theory. This book is essential reading for anyone in the humanities who has an interest in critical thought, hermeneutics, and all forms of interpretive technique.
"If, as Chesterton claimed, the devil's greatest triumph was convincing the modern world that he does not exist, Jeffrey Burton Russell means to rob him of his victory. Lucifer: The Devil in the Middle Ages is both a scholarly assessment of the development of diabology in the Middle Ages and an impassioned plea to the 20th century to recognize and acknowledge the existence of real, objective evil. The third in a series of works tracing the history of the devil from his Judeo-Christian roots, it represents a formidable undertaking: the devil's history is integrally related to the problem of evil, which is in turn at the heart of Western religious thought. Each of the volumes on Satan comprises, in essence, a judicious and able tour of Christian theology from the villain's point of view... Book jacket.
This is the most accessible work in English on the greatest mystical poet of Islam, providing a survey of the basic Sufi and Islamic doctrines concerning God and the world, the role of man in the cosmos, the need for religion, man's ultimate becoming, the states and stations of the mystical ascent to God, and the means whereby literature employs symbols to express "unseen" realities. William Chittick translates into English for the first time certain aspects of Rumi's work. He selects and rearranges Rumi's poetry and prose in order to leave aside unnecessary complications characteristic of other English translations and to present Rumi's ideas in an orderly fashion, yet in his own words. Thorough, nontechnical introductions to each chapter, and selections that gradually present a greater variety of terms and images, make this work easily accessible to those interested in the spirituality of any tradition.