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Este e-book é resultado do I Simpósio Nacional de Comunicação Política, Eleições e Campanha Permanente, realizado em parceria com os programas de Pós-Graduação em Comunicação da Universidade Paulista (UNIP) e a Universidade Federal de Juiz de Fora (UFJF), em março de 2019. A proposta se estrutura em artigos que buscaram ampliar o conhecimento sobre a cobertura midiática durante o período pré-eleitoral e eleitoral nas eleições de 2018, nas quais Jair Bolsonaro (PSL) saiu vitorioso.
Examines the thinking process behind drawing, characters, composition and movement, narrative and adaptation. The author introduces the fundamental elements involved in producing drawn animation.
"Brian Selznick takes readers on an intimate tour of the movie-making process as his Caldecott Award-winning book The Invention of Hugo Cabret is turned into a 3-D major motion picture by Academy Award-winning director, Martin Scorsese, written by Academy Award-nominated screenwriter, John Logan."--Amazon.com.
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Election campaigning never stops. That is the new reality of politics and government in Canada, where everyone from staffers in the Prime Minister’s Office to backbench MPs practise political marketing and communication as though each day were a battle to win the news cycle. Permanent Campaigning in Canada examines the growth and democratic implications of political parties’ relentless search for votes and popularity and what constant electioneering means for governance. With the emergence of fixed-date elections and digital media, each day is a battle to win mini-contests: the news cycle, public opinion polls, quarterly fundraising results, by-elections, and more. The contributors’ case studies reveal how political actors are using all available tools at their disposal to secure electoral advantage. This is the first study of a phenomenon – including the use of public resources for partisan gain – that has become embedded in Canadian politics and government.
Eminent political scientists weigh the benefits and the costs of this state of permanent campaign and describe the kind of political system likely to emerge within it.
Profound theoretical and philosophical approach to contemporary music Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas’s practical experience, both as a composer of contemporary music and sound director of the Electronic Music Studio of Cologne, nourishes his observations on the specific creativity that emerges with the use of the technical apparatus, the development of the electronic music studio, the different aesthetics of electroacoustic music, and the forms of audiovisual and multimedia composition. The title Unsayable Music is a reference to Wittgenstein, who suggested that sound is only the surface of music and that the musical work conceals something more profound that can hardly be described by philosophical models or scientific theories.
Fake News: Falsehood, fabrication and fantasy in journalism examines the causes and consequences of the ‘fake news’ phenomenon now sweeping the world’s media and political debates. Drawing on three decades of research and writing on journalism and news media, the author engages with the fake news phenomenon in accessible, insightful language designed to bring clarity and context to a complex and fast-moving debate. The author presents fake news not as a cultural issue in isolation but rather as arising from, and contributing to, significant political and social trends in twenty-first century societies. Chapters identify the factors which have laid the groundwork for fake news’ explosive appearance at this moment in our globalised public sphere. These include the rise of relativism and the crisis of objectivity, the role of digital media platforms in the production and consumption of news, and the growing drive to produce online content which attracts users and generates revenue.
Conspiracies theories are some of the most striking features in the American political landscape: the Kennedy assassination, aliens at Roswell, subversion by Masons, Jews, Catholics, or communists, and modern movements like Birtherism and Trutherism. But what do we really know about conspiracy theories? Do they share general causes? Are they becoming more common? More dangerous? Who is targeted and why? Who are the conspiracy theorists? How has technology affected conspiracy theorising? This book offers the first century-long view of these issues.