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Drama Criticism
Presents literary criticism on the works of dramatists of all nations, cultures, and time periods. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, radio transcripts, diaries, newspapers, broadsheets, pamphlets, and scholarly papers.
Drama Criticism
This volume present important studies in dramatic and theatre criticism as developed in the English-speaking world since the late nineteenth century. Part One, Prologue, gives key statements from Aristotle to Ibsen. Part Two, Plays and Players, covers the broad spectrum of journalistic and academic criticism, new production methods and theories, and new playwriting techniques during this century. Part Three, The Drama Critic, offers significant insights into the role of the critic.
Drama Criticism
Criticism of the most significant and widely studied dramiatic works fromall the world's literatures.
Drama Criticism
Criticism of the most significant and widely studied dramiatic works fromall the world's literatures.
Drama Criticism
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Drama Criticism
Presents literary criticism on the works of dramatists of all nations, cultures, and time periods. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, radio transcripts, diaries, newspapers, broadsheets, pamphlets, and scholarly papers.
Drama Criticism
Presents literary criticism on the works of dramatists of all nations, cultures, and time periods. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, radio transcripts, diaries, newspapers, broadsheets, pamphlets, and scholarly papers.
Drama Criticism
Criticism of the most significant and widely studied dramiatic works fromall the world's literatures.
George Jean Nathan and the Making of Modern American Drama Criticism
"Readers drawn to the "Roaring Twenties," gossip about the Great White Way, discussion of high, middle, and low-brow culture will seek out this book."--BOOK JACKET.
Theatre Criticism
The world of theatre criticism is rapidly changing in its form, function and modes of operation in the twenty-first century. The dominance of the internet has led to a growing trend of selfappointed theatre critics and bloggers who are changing the focus and purpose of the discussion around live performance. Even though the blogosphere has garnered suspicion and hostility from some mainstream newspaper critics, it has also provided significant intellectual and ideological challenges to the increasingly conservative profile of the professional critic. This book features 16 commissioned contributions from scholars, arts journalists and bloggers, as well as a small selection of innovative critical practice. Authors from Australia, Canada, Croatia, Germany, Greece, Italy, Latvia, Russia, the UK and the US share their perspectives on relevant historical, theoretical and political contexts influencing the development of the discipline, as well as specific aspects of the contemporary practices and genres of theatre criticism. The book features an introductory essay by its editor, Duška Radosavljevic.
