Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
José Antonio Suárez Londoño
This publication evolves from Colombian artist José Antonio Suárez Londoño's 2012 exhibition at The Drawing Center in New York. The volume features full-color plates of drawings from a selection of Londoño's notebooks (or "yearbooks") dating from 1997 to the present and taken from the artist's ongoing project in which he creates a daily drawing based on a book or series of books that he reads over the course of a year. These literary touchstones have included such diverse sources as the diaries of Paul Klee, Franz Kafka and Eugène Delacroix; Ovid's Metamorphoses; W.G. Sebald's The Rings of Saturn; and Patti Smith's poetry. The drawings themselves are refined and spare, imbued with a true classical draughtsman's eye for nuance and detail, in a unique approach to depicting contemporary artifacts. The accompanying essay is by curator Claire Gilman.
Enrique Grau
The name of the painter Enrique Grau is inseparable from the history of art in Colombia. Since his astonishing debut as a prodigy in the early 1940s, Grau has explored virtually every avenue of art: drawing, engraving, collage, silkscreen, woodcuts, painting, sculpture, theatrical costumes and sets, cinema, murals, frescos, and objects. In the course of his long career, Grau has achieved and consolidated a style that is personal and classical at the same time; he is unique in the panorama of Latin American art. This book pays homage to an artist as vital at the age of 83 as he was when the public first brought him acclaim over 60 years ago.
Botero
Fernando Botero has never been in fashion in academic/art critic circles because his work is too accessible, too easy to like. Almost all of his work has a cartoonish quality that is disarming, often humorous, and easily accessible to people unschooled in the arcane art theories of the moment. Indeed, who wants critics and theoreticians around to distract one from the sheer enjoyment of what Botero has to offer? And enjoyment is what this book is about. Botero's drawings are charming in both their subject matter and their execution, and this book shows them off superbly. Mixtures of watercolor, pencil, charcoal, or pastel, on paper or often on raw canvas, their techniques are varied and interesting. Admittedly their quality is somewhat variable, but at their best they are wry, eloquent, and riveting.
Colombia
Updated to include the historic 2022 presidential election, this deeply informed and accessible book traces the history of Colombia thematically over the past two centuries. LaRosa and Mejía move beyond the common perception of a failed state to explore the rich heritage and dynamism that have characterized Colombia past and present.
Colombia
With the sharp growth slowdown in 2023 from an overheated post-pandemic recovery, the Colombian economy has reached more sustainable levels of economic activity and domestic demand, with a marked reduction in domestic and external imbalances owing to appropriately tight macroeconomic policies. Market confidence has improved, but risk premia remain high compared to peers. Meanwhile, progress on the social reforms in Congress has been limited.
Latin American Artists' Signatures and Monograms
Each entry includes, if applicable, nationality, birth and death dates, key letters to a listing of reference sources, and the most recent auction citings (if any) of the last twenty years. Nearly 4,800 artists and 9,000 signatures.
Digital Draw Connections
This book stems from the seminal work of Robert Venturi and aims at re-projecting it in the current cultural debate by extending it to the scale of landscape and placing it in connection with representative issues. It brings out the transdisciplinary synthesis of a necessarily interdisciplinary approach to the theme, aimed at creating new models which are able to represent the complexity of a contradictory reality and to redefine the centrality of human dimension. As such, the volume gathers multiple experiences developed in different geographical areas, which come into connection with the role of representation. Composed of 43 chapters written by 81 authors from around the world, with an introduction by Jim Venturi and Cezar Nicolescu, the volume is divided into two parts, the first one more theoretical and the other one which showcases real-world applications, although there is never a total split between criticism and operational experimentation of research.
