You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
“An absurdist blending of ancient and contemporary details . . . in the kvetching style of Joseph Heller.” —Sam Sacks, The Wall Street Journal In a Jerusalem both ancient and modern, where the First Temple squats over the populace like a Trump casino, where the streets are literally crawling with prophets and heathen helicopters buzz over Old Testament sovereigns, two young poets are about to have their lives turned upside down. Struggling Jeremiah is worried that he is wasting his time trying to be a writer; the great critic Broch just beat him over the head with his own computer keyboard. Mattaniah, on the other hand, is a real up-and-comer—but he has a secret he wouldn’t want an...
Netanya is a fascinating blend of reminiscence, fiction, and amateur science, seeking to convey not only a personal story but the big picture in which the saga of life on Earth and of the stars that surround it have the same status as anecdotes about one’s aunts and uncles. With a tip of the hat to W. G. Sebald and Yoel Hoffmann, Netanya seeks to transform human history into an intimate family story, and demonstrates how the mind at play can bring a little warmth into a cold universe. The “plot” of Dror Burstein’s dazzling meditation consists of nothing more than the author’s lying on a bench, looking up at the night sky. What results from this simple action is, however, a monologu...
The "plot" of Dror Burstein's dazzling meditation consists of nothing more than the author's lying on a bench, looking up at the night sky. What results from this simple action is, however, a monologue whose scope is both personal and cosmic, with Burstein's thoughts ricocheting between stories from his past and visions of the origin and end of the universe. The result is a fascinating blend of reminiscence, fiction, and amateur science, seeking to convey not only a personal story but the big picture in which the saga of life on Earth and of the stars that surround it have the same status as anecdotes about one's aunts and uncles. With a tip of the hat to W. G. Sebald and Yoel Hoffmann, Netanya seeks to transform human history into an intimate family story, and demonstrates how the mind at play can bring a little warmth into a cold universe.
In prose both minimal and subtly off kilter, acclaimed novelist Dror Burstein introduces us--through the shifting relationships between an adopted child and his two sets of parents--to an Israel that is as peculiar, and poignant, as Donald Barthelme's America: ranging from an apocalyptic future to the petty annoyances of daily life, from sliding continents to tiny heartbreaks.
When The Sound of the One Hand came out in Japan in 1916 it caused a scandal. Zen was a secretive practice, its wisdom relayed from master to novice in strictest privacy. That a handbook existed recording not only the riddling koans that are central to Zen teaching but also detailing the answers to them seemed to mark Zen as rote, not revelatory. For all that, The Sound of the One Hand opens the door to Zen like no other book. Including koans that go back to the master who first brought the koan teaching method from China to Japan in the eighteenth century, this book offers, in the words of the translator, editor, and Zen initiate Yoel Hoffmann, the clearest, most detailed, and most correct picture of Zen that can be found. What we have here is an extraordinary introduction to Zen thought as lived thought, a treasury of problems, paradoxes, and performance that will appeal to artists, writers, and philosophers as well as Buddhists and students of religion."
A gem of a Marías story: Elvis and his entourage abandon their translator in a seedy cantina full of enraged criminals. “It all happened because of Elvis Presley.” Elvis, down south of the border to film a movie, has insisted his producers hire a proper Spaniard so that he can pronounce his few lines in Spanish with a Castillian accent. But Ruibérriz has taken on much more than he bargained for. One fatal night, horseplay in a local bar goes too far: a fatuous drunken American insults the local kingpin, and when the thug insists that Ruibérriz translate, Elvis himself adds an even more stinging comment—and who must translate that?
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
In The Gateless Gate, one of modern Zen Buddhism's uniquely influential masters offers classic commentaries on the Mumonkan, one of Zen's greatest collections of teaching stories. This translation was compiled with the Western reader in mind, and includes Koan Yamada's clear and penetrating comments on each case. Yamada played a seminal role in bringing Zen Buddhism to the West from Japan, going on to be the head of the Sanbo Kyodan Zen Community. The Gateless Gate would be invaluable if only for the translation and commentary alone, yet it's loaded with extra material and is a fantastic resource to keep close by: An in-depth Introduction to the History of Zen Practice Lineage charts Japanese-to-Chinese and Chinese-to-Japanese conversion charts for personal names, place names, and names of writings Plus front- and back-matter from ancient and modern figures: Mumon, Shuan, Kubota Ji'un, Taizan Maezumi, Hugo Enomiya-Lasalle, and Yamada Roshi's son, Masamichi Yamada. A wonderful inspiration for the koan practitioner, and for those with a general interest in Zen Buddhism.
Originally published in 2004 by Toby Press.
The debate about globalisation and its discontents