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Muck
“An absurdist blending of ancient and contemporary details . . . in the kvetching style of Joseph Heller.” —Sam Sacks, The Wall Street Journal In a Jerusalem both ancient and modern, where the First Temple squats over the populace like a Trump casino, where the streets are literally crawling with prophets and heathen helicopters buzz over Old Testament sovereigns, two young poets are about to have their lives turned upside down. Struggling Jeremiah is worried that he is wasting his time trying to be a writer; the great critic Broch just beat him over the head with his own computer keyboard. Mattaniah, on the other hand, is a real up-and-comer—but he has a secret he wouldn’t want an...
Netanya
The "plot" of Dror Burstein's dazzling meditation consists of nothing more than the author's lying on a bench, looking up at the night sky. What results from this simple action is, however, a monologue whose scope is both personal and cosmic, with Burstein's thoughts ricocheting between stories from his past and visions of the origin and end of the universe. The result is a fascinating blend of reminiscence, fiction, and amateur science, seeking to convey not only a personal story but the big picture in which the saga of life on Earth and of the stars that surround it have the same status as anecdotes about one's aunts and uncles. With a tip of the hat to W. G. Sebald and Yoel Hoffmann, Netanya seeks to transform human history into an intimate family story, and demonstrates how the mind at play can bring a little warmth into a cold universe.
Kin
Emil, the unwanted child of two young parents, is adopted by Yoel and Leah, a childless couple. Yet, as the years pass, it becomes clear that Emil doesn't bear much resemblance to the parents who've loved and raised him. Is his name the only thing his real parents have left him? Kin traces the movements of Emil and his four parents as they walk through the same city, nearby but apart, searching for each other in the faces of passersby; until Yoel, now old, becomes determined to do the impossible: return his grown son—a lonely man approaching middle age—to his birth parents. In prose that is both minimal and subtly off kilter, acclaimed Israeli novelist Dror Burstein introduces us to an Israel that is as peculiar, and poignant, as Donald Barthelme's America: ranging from an apocalyptic future to the petty annoyances of daily life, from shifting continents to tiny heartbreaks.
Sound Of 1 Hand
When The Sound of the One Hand came out in Japan in 1916 it caused a scandal. Zen was a secretive practice, its wisdom relayed from master to novice in strictest privacy. That a handbook existed recording not only the riddling koans that are central to Zen teaching but also detailing the answers to them seemed to mark Zen as rote, not revelatory. For all that, The Sound of the One Hand opens the door to Zen like no other book. Including koans that go back to the master who first brought the koan teaching method from China to Japan in the eighteenth century, this book offers, in the words of the translator, editor, and Zen initiate Yoel Hoffmann, the clearest, most detailed, and most correct picture of Zen that can be found. What we have here is an extraordinary introduction to Zen thought as lived thought, a treasury of problems, paradoxes, and performance that will appeal to artists, writers, and philosophers as well as Buddhists and students of religion."
Translating the Counterculture
If countercultural literature is meant to "counter" a culture, what happens when another culture borrows that critique? Translating the Counterculture addresses that question by examining the reception of the Beat Generation in Turkey. There, the Beat message of dissent is being given renewed life as publishers, editors, critics, readers, and others dissatisfied with the conservative social and political trends in the country have turned to the Beats and other countercultural forebears for alternatives. Through an examination of a broad range of literary translations, media portrayals, interviews, and other related materials, Translating the Counterculture seeks to uncover how the Beats and ...
The Slaughterman's Daughter
A SUNDAY TIMES MUST READS PICK "Boundless imagination and a vibrant style . . . a heroine of unforgettable grit" DAVID GROSSMAN "A story of great beauty and surprise" GARY SHTEYNGART The townsfolk of Motal, an isolated, godforsaken town in the Pale of Settlement, are shocked when Fanny Keismann - devoted wife, mother of five, and celebrated cheese-maker - leaves her home at two hours past midnight and vanishes into the night. True, the husbands of Motal have been vanishing for years, but a wife and mother? Whoever heard of such a thing. What on earth possessed her? Could it have anything to do with Fanny's missing brother-in-law, who left her sister almost a year ago and ran away to Minsk, a...
The Waste Books
German scientist and man of letters Georg Christoph Lichtenberg was an 18th-century polymath: an experimental physicist, an astronomer, a mathematician, a practicing critic both of art and literature. He is most celebrated, however, for the casual notes and aphorisms that he collected in what he called his Waste Books. With unflagging intelligence and encyclopedic curiosity, Lichtenberg wittily deflates the pretensions of learning and society, examines a range of philosophical questions, and tracks his own thoughts down hidden pathways to disconcerting and sometimes hilarious conclusions. Lichtenberg's Waste Books have been greatly admired by writers as very different as Tolstoy, Einstein, and Andre Breton, while Nietzsche and Wittgenstein acknowledged them as a significant inspiration for their own radical work in philosophy. The record of a brilliant and subtle mind in action, The Waste Books are above all a powerful testament to the necessity, and pleasure, of unfettered thought.
Bad Nature, or With Elvis in Mexico (New Directions Pearls)
A gem of a Marías story: Elvis and his entourage abandon their translator in a seedy cantina full of enraged criminals. “It all happened because of Elvis Presley.” Elvis, down south of the border to film a movie, has insisted his producers hire a proper Spaniard so that he can pronounce his few lines in Spanish with a Castillian accent. But Ruibérriz has taken on much more than he bargained for. One fatal night, horseplay in a local bar goes too far: a fatuous drunken American insults the local kingpin, and when the thug insists that Ruibérriz translate, Elvis himself adds an even more stinging comment—and who must translate that?
Lunar Savings Time
The stories in Lunar Savings Time slip through time and between dreams and waking, between native tongue and elusive translation, long-dead writers and just-opened books. Alex Epstein has created a masterwork in the finest strokes—stories in which humor, stubborn memory, and strange beauty meet and part ways in less than a page. Through these pages journey a woman who travels back in time to visit a psychoanalyst; Kafka, had he lived and emigrated to Israel after the Holocaust; the wandering Cain; Zen masters, beggars, writers, ghosts. In Epstein’s lyrical philosophy, every imaginative proposition must answer to the burden of history. “He can be placed next to Baudelaire, Rimbaud, Kafka, Borges,” Haaretz has said of Epstein; Lunar Savings Time is his most radical collection yet, a wondrous achievement.
