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In 1968 Papua New Guinea is on the brink of independence, and everything is about to change. Amidst the turmoil filmmaker Leonard arrives from England with his Dutch wife, Rika, to study and film an isolated village high in the mountains. Drusilla Modjeska's sweeping novel takes us deep into this fascinating, complex country, whose culture and people cannot escape the march of modernity that threatens to overwhelm them. It is a riveting story of love, loss, grief and betrayal.
The winner of the Australian Booksellers' Award, a novel in which notions and memories and fiction and reality float together as an octogenarian narrates the legend of the silver hands to a woman in her twenties, who in turn passes on a tale to a man who claims it as his own.
Paperback publication of a biography of Grace Cossington Smith and Stella Bowen, two women artists born in Australia in the 1890s. First published 1999. Compares their very different lives and how their lifestyles affected their work. Discusses the people who influenced them and the ways in which their art developed. Copiously illustrated, including colour plates. Includes references and index. Author's other publications include 'Poppy', 'The Orchard' and 'Exiles at Home: Australian women writers 1924-1945'.
Exiles At Home traces the lives of a generation of Australia's women writers through letters, diaries, notebooks and the memories of their contemporaries. 'Invaluable to all readers seriously interested in the history of Australian literature.' - Weekend AustralianAt the end of the 1920s Christina Stead had left Australia and was poised to write Seven Poor Men of Sydney. In London Miles Franklin was producing her first Brent of Bin Bin book and would soon return to Australia. Katharine Susannah Prichard was enlarging her view of black and white in outback Australia, and the team writing under the name M. Barnard Eldershaw had published its first novel and won the Bulletin prize. Gathering th...
In this award-winning book, Drusilla Modjeska sets out to collect the evidence of her mother's life. But when the facts refuse to give up their secrets, she follows the thread of history and memory into imagination. There she teases out the story of Poppy, who married at twenty and sang to her children, until suddenly one day in 1959, she was taken away to a sanatorium. What had gone wrong in a family that everyone described as happy? What pulled Poppy through the years of shock treatment and despair? These are some of the questions the daughter must ask before she can make peace with her own past.
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While women have struggled to gain recognition in the discipline of philosophy, there is no shortage of brilliant female thinkers. What can these women teach us about ethics, politics, and the nature of existence, and how might we relate these big ideas back to the smaller everyday concerns of domestic life, work, play, love, and relationships? Australian novelist Julienne van Loon goes on a worldwide quest to answer these questions, by engaging with eight world-renowned thinkers who have deep insights on humanity and society: media scholar Laura Kipnis, novelist Siri Hustvedt, political philosopher Nancy Holmstrom, psychoanalytic theorist Julia Kristeva, domestic violence reformer Rosie Bat...
An anthology of stories about sisters by some of Australia's leading women writers.
The Intimate Archive examines the issues involved in using archival material to research the personal lives of public people, in this case of Australian writers Marjorie Barnard (1897-1987), Aileen Palmer (1915-1988) and Lesbia Harford (1891-1927). The book provides an insight into the romantic experiences of the three women, based on their private letters, diaries and notebooks held in public institutions. Maryanne Dever, Ann Vickery and Sally Newman consider the ethical dilemmas that they faced while researching private material, in particular of making conclusions based on material that was possibly never intended by its subjects to be consumed publically. In this sense, the book is both an introverted contemplation of private affairs and an extroverted meditation on the right to acquire and assume intimate knowledge.
This is the story of 15 years in which a small independent company was a seminal force in Australian publishing. From McPhee Gribble came many new writers, including Helen Garner, Tim Winton, Drusilla Modjeska, new perspectives on Australian life and history, new stories - and fleetingly, the hope that an Australian company could become a fully fledged player in the international publishing industry.